Music and Its Referential Systems

Mario Vieira de Carvalho: Musical Autonomy as a Referential System;
Matjaz Barbo: Systems of Values in Diverse Aesthetic Realities;
Karmen Salmic Kovacic: The Human Perception of Music: The Most Intricate and Complex Referential System;
Ana Petrov: Max Weber's Theory of Music Development: Evolution and Rationalization of Music;
Thomas Hochradner: Education of the Masses or The Patient Continuity of a Referential System: Eberhard Preußner's Writings on Music History;
Leon Stefanija: Between Nature and Culture: A Note on David Huron's "Musicological Repercussion?;
Robert J. Dow: The Referential in Acousmatic Music;
Michael Walter: The Change from Cultural Practice to Aesthetic Practice: Gregorian Chant as an Example;
Olga Jokic: The Eschatological Meaning of Music and the Eschatological Function of Liturgy: Ernst Bloch's Philosophy and Eschatology of Orthodox Christianity;
Katarina Bogunovic Hocevar: The Musical-Historical Concept of Romanticism: A Scientifically Applicable Label?
Gregor Pompe: The Question of Referential Frameworks in Wagner's Music Dramas;
Srdan Atanasovski: Schoenberg and the Overtones: Evolving the Ear, Shaping the History;
Lubomir Spurny: Yesterday's Art, Tomorrow's World;
Nico Schüler: The Music of Hanning Schröder (1896-1987): Between Autonomy and Function and Between Twelve-Tone Technique and New Objectivity;
Igor Radeta: Symbols of Faith in Metaliturgical Discourse: The Case of Messiaen;
Cheong Wai Ling: Culture as Reference in the "Gagaku" of Messiaen's Sept Haïkaï;
Larisa Vrhunc: "Spectral? Aspects in Neville Hall's Compositional Thinking;
Anna Gadzinski: Film Music beyond Stigmatisation with Effects;
Maja Vasiljevic: How Not to Turn Film Music into a Musical Work: Towards Sociological Approach to Film Music;
Tja?a Ribizel: RTV Slovenia Symphony Orchestra's Management from 1955 to 1963;
Milica Simic: Folk Music on Radio Belgrade: A Turning Point in Folk Music Singing and Recording Practice on the Serbian National Broadcaster;
Jelena Arnautovic: Rock Music as an Alternative Space in Serbia during the Sixties: The Case of Radio Belgrade;
Julijana Zhabeva-Papazova: Alternative Music in Yugoslavia in the 1980's and the Concept of its Ideology;