Intersecting Art and Technology in Practice

Foreword

Ruth Catlow and Marc Garrett

Introduction

Camille Baker and Kate Sicchio

Theme 1: Artistic process/challenges

1. Intuition and Creative Process Methodologies in Digital Performance

Camille Baker

2. 60ma: experimenting with performing with electrodes/ experiences in digital art practice

Georg Hobmeier

3. The Bleeding Self in Digital Performance Practice: artistic challenges in digital media practice

Lorna Moore

4. Making Speculative Technologies

Kristina Anderson

5. Construction of processes to live audiovisual performance

Ana Carvalho

6. NO PLACE: Presence, Performance and Virtuality

Kate Genevieve

7. Imagination, Art and Reality

Ben Bogart

Theme 2: Collaborations

8. Cultivating permaCultural resilience (pCr) : The permaCultural derive as an Itinerant's approach to a techne of becoming

Anita McKoewn

9. The Immanent Researcher

Kate Sicchio

10. Temporal Scaffolding: A collaborative and networked infrastructure of techne, screendance, AR, affect, place and smart mobile devices in the project AffeXity

Jeannette Ginslov

11. Neurocinematics: the first hand experience of a filmmaker in collaboration with neuroscientists

Pia Tikka

12. Shifting Our Horizons: Exploring Mobility In Micro Production & Floating Exhibition

Max Schleser and Antony Nevin

Theme 3: Shared Knowledge:

13. Sharing Knowledge through Networked Collaboration

Helen Varley Jamieson

14. Methodologies of Risk and Experimental Prototyping

Nancy Mauro-Flude

15. Behind the Idea and meta models for creativity

Alison Williams

16. Mass Collaboration through Software and why we need a 'Keeper' Movement

Alex May

17. Generative Approaches for Meaning Making in Art

Aleksandra Dulic and Kenneth Newby