Asante Court Music and Verbal Arts in Ghana

Rezensionen / Stimmen

Winner of the JH Kwabena Nketia Prize for 2022

"Kwasi Ampene's Asante Court Music and Verbal Arts in Ghana is an exemplary study of patient interdisciplinarity. Though much has been written on the subject, no one has attempted to understand Asante court music as a cultural management discourse that entails central dramatis personae as well as reiterative mnemonic system enshrined in instruments, the way they are played, and the manner in which they are spoken about by knowledgeable cultural brokers. This book is a significant contribution not just to the field of African musicology but also to African cultural studies in general." Ato Quayson, FGA, FRSC, FBA, Professor of English, Department of English, Stanford University, USA

"Kwasi Ampene's Asante Court Music and Verbal Arts in Ghana is a work of singal importance. Based on ten years of painstaking research at Manhyia Palace, Kumase, the book charts the history of Asante court music and explicates the poetry of various instrumental and vocal performances. Notable is the deep valuation of language as manifest in speech, song and drummed language. Ampene makes good on the unrestricted access he was granted to centuries-old materials preserved at the court, and produces a book rich with information, including an account of a recent (2016) Akwasidae public assembly. Africanists, ethnomusicologists, anthropologists and linguists will find much of value here. With this book, Ampene consolidates his position as the pre-eminent scholar of Asante musical culture." Kofi Agawu, Distinguished Professor, The Graduate Center, City University of New York, USA