Remixing Music Studies

Introduction: a hedgehog in fox's clothing

Matthew Pritchard, Ross Cole, and Ananay Aguilar

PART I: MEDIA, NOTATION, AND PERFORMANCE

1. Transforming Musical (Multi)media: Virtual Reality and the Goals of Music Research in the 21st-Century Humanities

Nicola Dibben

2. Playing Along to What? Video Game Music and the Metaphor Model

Michiel Kamp

3. 'A Repertoire of Means for Imagining Music': Notation Cultures and the Musical Imagination

Floris Schuiling

4. Rethinking Classical Sound Recordings: Creativities Beyond the Score

Georgia Volioti

5. Between Practice and Theory: Performance Studies and/as Artistic Research

John Rink

6. Moral Judgement in Response to Performances of Western Art Music

Daniel Leech-Wilkinson

PART II: MEANINGS AND VALUES IN HISTORY

7. Vocality, Orality, and Disciplinarity: A Case Study of Gendered Categorizations in the Ancient Near East

Anija Dokter

8. 'All This Requires but a Moment of Open Revelation'! Johann Gottfried Herder, Robert Lachmann, and the Global Musicological Moment

Philip V. Bohlman

9. Duetting with Bartok and Others: Iva Bittova's Post-Revival 'Personal Folk Music'

Julie Brown

10. Writing on Living Composers and the Problem of Advocacy: Failure and the Experimental Work of Mauricio Kagel

Bjoern Heile

11. Music and Epistemological Humility: Looking Back to (and Forward with) Paul Bekker

Matthew Pritchard

12. Towards an Ecological History of MusicRoss Cole

Afterword: Knowing Nick

Eric Clarke