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"Fascinating details and anecdotes accompany this engaging account of the emergence of dramatic new ideas and forms in music over the centuries..."
David Politzer, winner of the 2004 Nobel Prize in Physics.
"A thought-provoking, stimulating, and highly original exploration of deep metaphorical links between music and physics...Highly recommended."
Prof. Ian Stewart FRS, author, What's the Use?
"An astonishing book!"
Tristan Murail, composer and co-creator of the "spectral" technique.
Have you ever wondered about the connection between Pauli's exclusion principle and Schoenberg's dodecaphony? Or the symphonic echoes of Heisenberg's uncertainty principle in the compositions of Stockhausen and Cage? This book not only poses these questions but skillfully uncovers the artistic answers, exploring interdisciplinary connections that bridge the gap between modern physics and contemporary music. Dive into philosophical discourses on time, witness the metamorphosis of Boolean algebra, bits, and qubits into musical notation, and discover the limitations of the 12-tone scale mirrored in the speed of light. The author's unique methodology offers a fresh perspective, linking the language of mathematics and physics to the creation of musical scores.
This book transcends the boundaries of physics and music, revealing the inevitable fusion of modern physics and avant-garde music in the twentieth century. Through meticulous research, the author showcases the profound impact of revolutionary ideas such as quantum physics and relativity on all aspects of life and demonstrates that modern physics and contemporary music were born not out of chance-their emergence and development were inevitable events. Delving into the historical accounts, he explores the musical endeavors of great physicists like Max Planck and Albert Einstein, unraveling the quantum entanglement of physics mirrored in the extended techniques of contemporary music and unveiling the musical universe of Werner Heisenberg through captivating personal encounters with his descendants.
Crafted for general readers and seasoned experts alike, the book maintains clarity and style, ensuring accessibility without sacrificing depth. This pioneering exploration not only draws connections between modern physics and music but also serves as a unique bridge for scientists, musicians, and the curious general audience. Requiring no formal background in physics or music, the book is a compelling read for those intrigued by the uncharted territories where science and art converge, offering a concise and illuminating journey into the shadows of the void.
"If you are seeking a book to celebrate a century of quantum mechanics, Rakhat-Bi Abdyssagin's Quantum Mechanics and AvantGarde Music could be a refreshing answer. ... this charming and intriguing book takes readers through that entrance and beyond." (Sharon Ann Holgate, TLS The Times Literary Supplement, the-tls.co.uk, May 16, 2025)
"This book has been published at the time when the world is celebrating the 100th anniversary of quantum mechanics and the 110th anniversary of Einstein's general relativity. So, this is the right time for such a book to be presented to its readers. Indeed, this book is for general readers as well as for experts who want to explore connection between modern physics and specifically Quantum mechanics and music.." (Kanan Purkayastha, Daily Sun, daily-sun.com, January 16, 2025)
"This is a fascinating and unique book about the parallel development of, and occasional interactions between, modern physics and contemporary classical music. . this is a thoroughly engrossing book for anyone interested in the cultural and intellectual overlaps between science and music." (Popular Science, popsciencebooks.blogspot.com, October 21, 2024)
"... In dem Buch über die moderne Physik und die Avantgardemusik wird jeder etwas finden, das ihm oder ihr Vergnügen macht und immer neue Einsichten beschert ... Man muss nur richtig zuh?ren, zusehen und zupacken." (Prof. Dr. Ernst Peter Fischer, in: Naturwissenschaftliche Rundschau, Jg. 78, Heft 2, 2025)
Rakhat-Bi Abdyssagin is a distinguished composer and a pianist, credited with three operas and over 150 music compositions, including expansive symphonic works. His creations have graced renowned international venues like Berlin Philharmonie, Carnegie Hall, and Wiener Konzerthaus. With three CDs released in Germany, his experience as a composer and a pianist has provided a unique perspective in the realm of music. Having pursued education in Kazakhstan and postgraduate studies in prominent Italian music institutions, he has mastered advanced composition techniques. Engaging in regular exchanges, masterclasses, and conferences across Europe has fostered personal connections with leading figures in contemporary music, enriching his understanding of the evolving landscape. Delving into the physical aspects, the author has engaged in discussions with established professors and specialists in quantum physics, presenting in scientific seminars. Trips to Germany have provided unique insights into Werner Heisenberg's connection to music, including personal meetings with his children and access to archival material, revealing the profound role of music in Heisenberg's intellectual life.
Part I: Origins and Development of Avant-Garde Music in Faces.- Prologue.- Correlations in Timeline.- On Some Analogies.- Werner Heisenberg's Musical Universe; Meeting with Martin Heisenberg.- Werner Heisenberg's Musical Universe; Meeting with Christine Mann.- Great Scientists-Gifted Musicians.- Origins and Development of Classical Music in Faces.- Origins and Development of Contemporary Music in Faces.- Part II: Heisenberg's Uncertainty Principle and Aleatoric Technique in Music.- Entropy in the Development of Tonality.- Performance as Experiment.- On Time in Music.- Symbols, Mathematics and Notation.- Heisenberg's Uncertainty Principle and Aleatoric Technique in Music.- Time Dilation, Synchronicity and Ligeti's Etudes.- Pauli Exclusion Principle and Schoenberg's Dodecaphony.- Part III: Shadows of the Void.- Shadows of the Void.- Boolean Algebra, Bits and Qubits in Music.- Basic Operations with a Tone Row.- Tears of Silence.- The Newest Performing Techniques.- Quantum Entanglement in Physics and Extended Techniques in Music.- Part IV: Epilogue.
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