Cicero's Brutus (46 BCE), a tour-de-force of intellectual and political history, was written amidst political crisis: Caesar's defeat of the republican resistance at the battle of Thapsus. This magisterial example of the dialogue genre capaciously documents the intellectual vibrancy of the Roman Republic and its Greco-Roman traditions. This book studies the work from several distinct yet interrelated perspectives: Cicero's account of oratorical history, the confrontation with Caesar, and the exploration of what it means to write a history of an artistic practice. Close readings of this dialogue-including its apparent contradictions and tendentious fabrications-reveal a crucial and crucially productive moment in Greco-Roman thought. Cicero, this book argues, created the first nuanced, sophisticated, and ultimately 'modern' literary history, crafting both a compelling justification of Rome's oratorical traditions and also laying a foundation for literary historiography that abides to this day. This title is also available as Open Access on Cambridge Core.
Rezensionen / Stimmen
'With this book, Christopher van den Berg has undoubtedly earned the right to occupy a place of absolute prominence in the increasingly dense shelves of critical production on Brutus.' Alberto Cavarzere, Rivista di Filologia e di Istruzione Classica
Auflage
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Editions-Typ
Produkt-Hinweis
Illustrationen
Worked examples or Exercises
Maße
Höhe: 229 mm
Breite: 152 mm
Dicke: 17 mm
Gewicht
ISBN-13
978-1-009-28135-5 (9781009281355)
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Schweitzer Klassifikation
CHRISTOPHER S. vAN DEN BERG is Professor of Classics at Amherst College. He is the author of The World of Tacitus' Dialogus de Oratoribus (Cambridge, 2014) and has published and researched broadly in ancient and modern political rhetoric.
Autor*in
Amherst College, Massachusetts
Introduction; 1. Ciceropaideia; 2. The intellectual genealogy of the Brutus; 3. Caesar and the political crisis; 4. Truthmaking and the past; 5. Beginning (and) literary history; 6. Perfecting literary history; 7. Cicero's Attici; 8. Minerva, Venus, and Cicero's judgments on Caesar's style; Conclusion.