This book investigates Euro-African cultural relations, considering their connected histories through material and immaterial forms of representation, commemoration, and memorialization.
Recent waves of protest around the world have called for restitution of looted African art, and toppled statues and vandalized monuments which are connected to white suprematism, colonialism, and imperialism. These events have highlighted an urgent need to debate the management and preservation of Europe and Africa's shared heritage. Drawing on a range of varied, trans-continental case studies, this book considers the key question of whether such monuments should be removed as forms of unacceptable celebration of an evil past, or preserved precisely because of what they recount about that past of oppression and domination. The book encourages readers to consider how diverse and pervasive the notions of shared heritage and common past are, encompassing discussions of statues, exhibitions, graffiti, tapestries, and commemorations.
Providing a timely analysis of the developing cultural relations between Africa and Europe, this book will be an important resource for researchers across the fields of global history, heritage studies, memory studies, and international relations.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Academic and Postgraduate
Illustrationen
31 s/w Photographien bzw. Rasterbilder, 1 s/w Zeichnung, 2 s/w Tabellen, 32 s/w Abbildungen
2 Tables, black and white; 1 Line drawings, black and white; 31 Halftones, black and white; 32 Illustrations, black and white
Maße
Höhe: 240 mm
Breite: 161 mm
Dicke: 17 mm
Gewicht
ISBN-13
978-1-032-70593-4 (9781032705934)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Marco Zoppi is an independent researcher. His works focus on Euro-African relations and European affairs, including migration and security. He has authored some 50 academic publications.
Preface 1. Iconographies of Oppression? Material and Immaterial Legacies of Euro-African Encounters 2. The Khoekhoe, Vasco da Gama and the Limits of Written History 3. Style Congo: Heritage and Heresy: Reappraising Art Nouveau in Brussels 4. Looking for East Africa in Italian newspapers. The Press Coverage of the Vandalism of Montanelli's Statue 5. Unraveling Slave Sites in Europe: Reconsidering Europe as a Temperate, Slave Minority Site and African-Diasporic Space, Through Counter-Commemoration 6. 'L'Archive urbaine': How the Yataal Art Initiative Commemorates the History of French Senegal in Dakar's Medina Neighborhood of 1914 7. Rethinking Iconographies of Suffering and Hope for European Refugees in Uganda: A Case Study of Our Lady Queen of Poland Catholic Church Nyabyeya - Masindi 8. Colonial Impositions, Postcolonial Dilemmas and Contemporary Dynamics of Place Naming in Nairobi, Kenya 9. Unveiling Histories: Colonial Monuments and Street Names in Namibia's Public Space 10. Conclusions