Paul Sheehan and Blythe Worthy, "Introduction".- Part 1: Making Comedy Central.- Paul Giles, "The Aesthetics of Television: Genre, Auteur, Canon" .- Paul Sheehan, "Difficult Laughter: Modernist Aesthetics in Better Things and Atlanta" .- Part 2: Criminals, Outlaws, Auteurs.- Shannon Wells-Lassagne, "Entente Cordiale: Sherlock (BBC) and Lupin (Netflix), a Tale of Two Fandoms".- Thomas Britt, "What Is Television? Two Auteur Series in Literary Contexts".- Ryan Twomey, "Remixing the Law: Timely and Untimely Politics in Lindelof's Watchmen ".- Part 3: Adaptive Disruption: Young Adult and Children's Television.- Debra Dudek, "Ambiguous Endings and Disrupted Paratexts in The End of the F***ing World and I Am Not Okay With This".- Sabina Rahman, "From Medieval Legend to Modern Superheroics: Arrow as a 21st-Century Robin Hood".- Katrine Kwong, "(Re)animating Shakespeare: Screen Theatre, on Television and Online" Pamela Demory, "Queering Emily Dickinson for the Millennial Age".- Part 4: Transnational Dramas, Transcultural Contexts Blythe Worthy, "The Suburban Serial: tracing textual and community limits in Jane Campion's Top of the Lake".- Susan Lever, "Witnessing: Indigenous Life Experience on Television" .- Meenakshi Bharat, "The Dialectic of Transnational Adaptation: The Problematic Web Adaptation of A Suitable Boy" Trisha Dunleavy, "Complex Teenage Passion: Normal People and the Affordances of Cultural Specificity".- Afterword: Christine Geraghty.
