*FrontMatter, pg. i*Acknowledgments, pg. vii*Contents, pg. ix*The Idea of the Actor: Introduction, pg. 1*1. Is it not monstrous: The Demonic Dialectic of Renaissance Acting, pg. 10*2. Realize the feelings of his Character: Gesture, Feeling, and Community in the Sentimental Theater, pg. 70*3. Self-Betrayal: The Optics of Modern Acting, pg. 131*Postscript, pg. 229*Notes, pg. 233*Index, pg. 261