1. Stephani Etheridge Woodson and Tamara Underiner; Introduction.- 2. Daniel Banks; Taking the Mic: Hip Hop's Call for Change.- 3. Paul Bonin-Rodriguez & Charlotte M. Canning; Rehearsing Citizenship: Performance as Public Practice in the Undergraduate Curriculum.- 4. David Calder; Street Performers Working for Change.- 5. Young Ai Choi; The Third Space: Inter-cultural Youth Performance as a Catalyst for Change.- 6. Jan Cohen-Cruz; Uncommon Partnerships.- 7. Kathryn Dawson; Reflections on School Change through the Arts.- 8. Linda Essig; n=1.- 9. John Fletcher; Denouement: Notes on the End(s) of Activism.- 10. Marcela A. Fuentes; Making Change: Performance and the Workings of the Event.- 11. Lorenzo Garcia; Adding to the Dialogue with Latina/o Plays for Young Audiences.- 12. Nadine George-Graves; An Environment of Cascading Consequences.- 13. Jamie Haft; Creating a Populist Theatre.- 14. Norifumi Hida; Laying the groundwork for dramatic results: ASSITEJ's Next Generation.- 15. Jorge A. Huerta; Fifty Years of Chicano Theatre: Mapping the Face(s) of the New American Theatre.- 16. Lisa Jackson-Schebetta; In the Heights at the University of Pittsburgh: Failures, Successes and Change.- 17. Elizabeth Johnson; Choreography, Connections and Change.- 18. Daniel A. Kelin, II; The Journey Matters: Agency through Artistry.- 19. Michal Kobialka; "Of Change".- 20. Bridget Kiger Lee and Patricia Enciso; Testing the Waters of Change in the Classroom: The Case for Incremental Transformation in Teacher Practice.- 21. Stephanie Lein Walseth; Racial Justice Activism and Equitable Partnerships: Theories of Change from Theatres of Color.- 22. Robert H. Leonard; Theatre and Social Imaginaries.- 23. Ruby Lerner; Radical Creativity as a Lever for Social Change: Why It Matters, What It Takes.- 24. Scott Magelssen; Why Do They Think this is Okay? Defending Performance as a Means for Change.- 25. Mary McAvoy; What We Left Behind in our Race to the Top: Education Reform Goes Metaformative.- 26. Talleri A. McRae; The Aesthetics of Inclusion.- 27. Carlos Morton;Changes, Everything Changes (Cambia, todo cambia).- 28. Tobin Nellhaus; Big History.- 29. Michael Rohd: 100 Questions/3 ideas/1 story/and a ghost.- 30. Jon D. Rossini; Shift 2.- 31. Alan Sikes; "The Odéon is Open" Performative Politics and the Paris 1968 Uprising.- 32. Dani Snyder-Young; Despite artists' intentions, emancipated spectatorship reinforces audience members' existing attitudes and beliefs.- 33. Caridad Svich; The breath of change or how to stay awake when the world desires sleep and other thoughts about theatre, performance and Bowie's Ch-changes.- 34. E.J. Westlake; The Waning of Affect, the End of the Liberal Project, and the Rehearsal of Social Change: a Page from the Millennial Playbook.- 35. W. B. Worthen; (Inter)disciplinary Change.- 36. Patricia Ybarra; The Administrator as Activist.- 37. Stephani Etheridge Woodson and Tamara Underiner. And.?
