Designer Drafting for the Entertainment World provides essential information for designers, covering traditional hand drafting techniques as well as computer-based drawing programs. This new text begins with the basic tools and comprehensive coverage of the principles of scenic drafting and goes on to cover professional applications for the stage, motion pictures, television, trade shows, and amusement park scenery. It also includes a chapter on virtual scenery and lighting.
The principles of drafting are explained with simple drawings from the world of scenery as well as many examples of more complex draftings from some of the finest scenic designers working professionally. Patricia Woodbridge has worked professionally in theatre, film and television, and uses examples from all industries throughout the book. Since the examples of drafting are taken from a wide variety of different scenic applications, it gives the young designer a survey of scenic career possibilities.
Rezensionen / Stimmen
"I have been looking for a book that not only focuses on the technical aspects of theater drafting, but also on why we choose to draft the way we do and how it relates to sketchings and renderings. This book covers that ground exceptionally well."
-Michael O'Nele, Univ. of Memphis
"Very good comprehensive view of drafting applied to all areas of the entertainment industry."
-Eric Olson, Samford University
"Tells not only what to do, but why. The most complete book on entertainment drafting yet."
-Charles E. Williams, University of Toledo
"most thorough and best drafting book on the market...the examples in particular are informative."
"an excellent reference book to be used during a course..."
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für Beruf und Forschung
Courses in scenic design and drafting in theatre programs; Scenic designers and art directors throughout the entertainment industry
Illustrationen
Approx. 400 illustrations (50 in full color)
Maße
Höhe: 276 mm
Breite: 216 mm
Gewicht
ISBN-13
978-0-240-80424-8 (9780240804248)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Hal Tine (scenic designer) is a nationally recognized scenic designer teaching in the Production Design Department at SCAD and has designed the School of Performing Arts productions of The Station, Carousel, Oliver Twist, Lend Me a Tenor, Guys and Dolls and The Marriage of Bette and Boo. His professional work includes the designs for the Broadway productions of The Trip Back Down and Jerry's Girls as well as many assistant design positions. He was associate scenic designer for the Metropolitan Opera productions of Les Troyens, Le Prophete and Un Ballo in Maschera. In addition, he has designed more than 200 productions for off-Broadway, off-off-Broadway, regional theater, opera, and network and cable television. He has also designed exhibitions or special projects for the New York Philharmonic, the Boston Symphony Orchestra, the Smithsonian American History Museum, the Dallas Museum of Art, the Brooklyn Museum of Art and the New York Historical Society. He will design Verdi's Giovanna D'Arco for New York Grand Opera in Central Park this summer.
Autor*in
Production Designer; Art Director, New York, NY, USA
Principles and Conventions of Scenic Drafting: Drafting Tools; Pencils, Paper and Reproduction; Lines; Geometrical Construction; Scale; Lettering; Orthographic Projection; The Section; Dimensioning; Site Measurement and Layout; Axonometric Drawing; Mechanical Perspective; Forced Perspective; Multi Sheet Sets and Coding; Period Shapes and Scenic Details; Computer Drafting and Rendering; Professional Applications: A Box Set on a Proscenium Stage; Architectonic Scenery; A Musical; Television Scenery; Motion Picture Scenery; Trade Shows and Amusement Park Scenery; Virtual Scenery and Lighting