Portraits of women -- on coins, public monuments, and private luxury objects --became an increasingly familiar sight throughout the Roman Empire. These portraits, always freighted with political significance, communicated social messages about the appropriate roles, behavior, and self-presentation of women.
This book traces the emergence and development of the public female portrait, from Octavia, the first Roman woman to be represented on coinage, to the formidable and ambitious Agrippina the Younger, whose assassination demonstrated to later women the limits of official power they could demand.
Rezensionen / Stimmen
'...this book makes valuable contribution to the furtherance of our knowledge of Romes Julio-Claudian women.'
Tonya M. Lambert, Canadian Journal of History, 2003.
From reviews of the hardcover edition:
'This excellent book represents a general treatment of the subject and will be warmly welcomed by both classical scholars and art historians alike...Wood brings a special quality to the task, combining her keen scholarship with a recognition of the need to spell out carefully her methodology.'.
Anthony A. Barrett, University of British Columbia
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 244 mm
Breite: 164 mm
Dicke: 36 mm
Gewicht
ISBN-13
978-90-04-11950-5 (9789004119505)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Susan E. Wood, Ph.D. (1979) in Art History and Archaeology, Columbia University, is a Professor of Art History at Oakland University. She has published extensively on Roman portraiture and funerary monuments.