Raymond Williams's work was always concerned with the relation between culture and society. This book focuses on specific texts and authors, exploring the historical and cultural sources of their particular forms of writing. In it, Williams examines dramatic form and language in Racine and Shakespeare; the politics of fiction in the English Jacobin novel; David Hume and Charles Dickens and the changing characteristics of English prose; Robert Tressell, The Ragged-Trousered Philanthropists, and the role of region and class in the English novel. Also included are Williams's reflections on the rise of English studies, on their crisis as the literary traditions of Cambridge University were beset by the 'structuralist controversy', and on the wider implications of this redefinition of the critical field.
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978-0-86091-072-5 (9780860910725)
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Schweitzer Klassifikation
Raymond Williams was born in 1921 in the Welsh border village of Pandy, and was educated at the village school, at Abergavenny Grammar School, and at Trinity College, Cambridge. He was elected Fellow of Jesus College, Cambridge, in 1961 and was later appointed University Professor of Drama.
His books include Culture and Society (1958), The Long Revolution (1961) and its sequel Towards 2000 (1983); Communications (1962) and Television: Technology and Cultural Form (1974); Drama in Performance (1954), Modern Tragedy (1966) and Drama from Ibsen to Brecht (1968); The English Novel from Dickens to Lawrence (1970), Orwell (1971) and The Country and the City (1973); Politics and Letters (interviews) (1979) and Problems in Materialism and Culture (selected essays) (1980); and four novels - the Welsh trilogy of Border Country (1960), Second Generation (1964) and The Fight for Manod (1979), and The Volunteers (1978).
