Tracing the history of psychoanalysis' love affair with literature, and literary critical encounters with psychoanalysis, this book shows, with examples from literature and film, the shifts and changes in psychoanalytic thought on culture and aesthetics. It presents readings of specific texts in tandem with accounts of the development of Freudian psychoanalysis, Kleinian and Lacanian analysis, the work of Winnicot, Laplanche and more recent post-structuralist psychoanalytic readers. The texts chosen for attention include Elizabeth Gaskell's "Cousin Phillis", D.H. Lawrence's "Sons and Lovers", Edgar Allan Poe's "The Purloined Letters", Angela Carter's "Nights at the Circus", Margaret Oliphant's "Autobiography", Freud's "Wolf Man" case, Daphne du Maurier's short story "Don't Look Now" (and Nicholas Roeg's film adaptation of it), poems by Christina Rossetti, Sheridan le Fanu's "Carmilla", and - as an example of a text apparently resistant to analysis - Thomas Hardy's "Jude the Obscure".
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Illustrationen
Maße
Höhe: 157 mm
Breite: 233 mm
Gewicht
ISBN-13
978-0-340-64557-4 (9780340645574)
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Schweitzer Klassifikation
Freud, hysteria and the art of interpretation; psychoanalytical criticism and the case of Poe; writing at play - fantasy and identity; too early and too late - Mrs Oliphant and the Wolf Man; "a short way by a long wandering" - writing the death drive; the resistance to analysis - "Jude the Obscure".