From its establishment in 1648 until its disbanding in 1793 after the French Revolution, the Academie Royale de Peinture et de Sculpture was the centre of the Parisian art world. Taking the reader behind the scenes of this elite bastion of French art theory, education, and practice, this engaging study uncovers the fascinating histories - official and unofficial - of that artistic community. Through an innovative approach to portraits - their values, functions, and lives as objects - this book explores two faces of the Academie. Official portraits grant us insider access to institutional hierarchies, ideologies, rituals, customs, and everyday experiences in the Academie's Louvre apartments. Unofficial portraits in turn reveal hidden histories of artists' personal relationships: family networks, intimate friendships, and bitter rivalries. Drawing on both art-historical and anthropological frames of analysis, this book offers insightful interpretations of portraits read through and against documentary evidence from the archives to create a rich story of people, places, and objects. Theoretically informed, rigorously researched, and historically grounded, this book sheds new light on the inner workings of the Academie. Its discoveries and compelling narrative make an invaluable and accessible contribution to our understanding of this pre-eminent European institution and the social lives of artists in early modern Paris.
Rezensionen / Stimmen
'Academie Royale: A History in Portraits is full of new insights - often brilliant ones - into the world of the French Royal Academy of Painting and Sculpture. Williams' approach to the inner workings of the Academy through close readings of members' portraits and self-portraits is innovative, refreshing and inspired - drawing as it does on anthropological interpretive models, as well as art-historical ones. Original, meticulously researched and elegantly written, this book will be essential reading for specialists in many fields including history, French studies and cultural anthropology, and it will be an indispensable source for historians of eighteenth-century art.'
Melissa Hyde, University of Florida, USA
'In her thoughtful and illuminating book, Hannah Williams develops a distinctively new approach to the central institution of the ancien-regime art world.'
Emma Barker, French History
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
16 farbige Abbildungen, 107 s/w Photographien bzw. Rasterbilder, 107 s/w Abbildungen, 16 Farbfotos bzw. farbige Rasterbilder
16 Halftones, color; 107 Halftones, black and white; 16 Illustrations, color; 107 Illustrations, black and white
Maße
Höhe: 244 mm
Breite: 169 mm
Dicke: 25 mm
Gewicht
ISBN-13
978-1-138-29559-9 (9781138295599)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Hannah Williams is Junior Research Fellow in Art History at St John's College, University of Oxford.
Contents: Introduction: face-to-face with the Academie Royale. Part I The Official Face: An institutional image: portrait of the artist as an academician; Rituals of initiation: becoming and being in the Academie; On the wall: portraits, spaces, and everyday encounters at the Academie. Part II The Unofficial Face: Bloodlines: portraits of family; Reciprocal acts: portraits of friendship; Facing off: portraits of rivalry. Epilogue: the end of an institution; Appendices; Bibliography; Index.
