'The man's become inhuman ... He has cut himself off from his kind. His blood be upon his own head.'
One night in the depths of winter, a bizarre and sinister stranger wrapped in bandages and eccentric clothing arrives in a remote English village. His peculiar, secretive activities in the room he rents spook the locals. Speculation about his identity becomes horror and disbelief when the villagers discover that, beneath his disguise, he is invisible.
Griffin, as the man is called, is an embittered scientist who is determined to exploit his extraordinary gifts, developed in the course of brutal self-experimentation, in order to conduct a Reign of Terror on the sleepy inhabitants of England. As the police close in on him, he becomes ever more desperate and violent.
In this pioneering novella, subtitled 'A Grotesque Romance', Wells combines comedy, both farcical and satirical, and tragedy - to superbly unsettling effect. Since its publication in 1897, The Invisible Man has haunted not only popular culture (in particular cinema) but also the greatest and most experimental novels of the twentieth century.
Rezensionen / Stimmen
[An] informative introduction... reading these OWC editions has enhanced my pleasure hugely; the introductions are always well written and give just the right amount of information to inform without overloading the reader with lots of irrelevant detail or academic jargon. * Leah Galbraith, FictionFan * Very smart-looking new editions of SF classics. * David V Barrett, Fortean Times * The ideas that Wells explores are as relevant as ever * Desperate Reader *
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Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 195 mm
Breite: 126 mm
Dicke: 17 mm
Gewicht
ISBN-13
978-0-19-870267-2 (9780198702672)
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Schweitzer Klassifikation
Matthew Beaumont is a Senior Lecturer in English Literature at University College London. He is the author of Nightwalking: A Nocturnal History of London, Chaucer to Dickens (2015) and The Spectre of Utopia: Utopian and Science Fictions at the Fin de Siecle (2012). He has edited Edward Bellamy's Looking Backward and Walter Pater's Studies in the History of the Renaissance for Oxford World's Classics.
Autor*in
Herausgeber*in
Senior Lecturer, University College London