The history of industrial films-an orphan genre of twentieth-century cinema composed of government-produced and industrially sponsored movies that sought to achieve the goals of their sponsors, rather than the creative artists involved-seems to have left no trace in filmic cultural discourse. At its height the industrial film industry employed thousands, produced several trade journals and festival circuits, engaged with giants of twentieth-century industry like Shell and AT & T, and featured the talents of iconic actors and directors such as Buster Keaton, John Grierson, and Alain Resnais. Films that Work is the first full-length book, anthology, and annotated bibliography to explore the industrial film and its remarkable history. Exploring the potential of the industrial film to uncover renewed and unexplored areas of media studies, this remarkable volume brings together renowned scholars and archivists such as Rick Prelinger and Thomas Elsaesser in a discussion of the radical potential and new possibilities in considering the history of this unexplored corporate medium.
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Maße
Höhe: 240 mm
Breite: 160 mm
Gewicht
ISBN-13
978-90-8964-012-3 (9789089640123)
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Schweitzer Klassifikation
Patrick Vonderau is an assistant professor in the department of media studies at the same university.|Vinzenz Hediger is professor of cinema studies at Goethe-Universit?t Frankfurt, where he directs the Research Training Programm 2279 "Configurations of film" and the Frankfurt Humanities Research Centre (www.fzhg.org). He is a past president of the German association of media studies (www.gfmedienwissenschaft.de), a founding member of NECS (www.necs.org) and a full member of the Mainz Academy of Sciences and Literature. His publications include "Films That Work. Industrial Cinema and the Productivity of Media" (together with Patrick Vonderau, AUP 2009).