Gesture|Cinema 1900|Moving Image
Rezensionen / Stimmen
A commanding and consummate study of art, philosophy, the human sciences, physics and biology in the matrix of cinema at the turn of the twentieth century. Blending contemporary theory with close readings of the foundational writings of modernity-Freud, Bergson, Nietzsche-V?liaho shows how the autonomy of the movie-machine shapes the ways we believe we think and live today. A broad and compassionate study, Mapping the Moving Image stands high and strong in an impressive body of scholarship on early cinema. It will be a point of reference for every student of cinema, consciousness and perception.[-]ProfessorTom Conley, Harvard University
Reihe
Sprache
Verlagsort
Zielgruppe
Für Beruf und Forschung
Für die Erwachsenenbildung
Illustrationen
12 black and white illustrations
Maße
Höhe: 234 mm
Breite: 156 mm
Gewicht
ISBN-13
978-90-8964-141-0 (9789089641410)
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Schweitzer Klassifikation
Pasi V?liaho is lecturer in film and screen studies at Goldsmiths College, University of London.
Contents - 6[-]Acknowledgments - 8[-]Introduction - 10[-]1. Modulation: On Cinematic Gestures - 26[-]2. Experimental Life: The Biopolitical Context - 54[-]3. Umwelt: Automatism and Affectivity - 80[-]4. Paradox-Image: Mapping the Unconscious - 110[-]5. Differential Image: Abyss of Time - 134[-]6. Virtual Image: Cinema and Intuition - 158[-]Conclusion - 184[-]Notes - 190[-]Bibliography - 226[-]Index of Names - 242[-]Index of Film Titles - 246