Pier Paolo Pasolini (1922-1975) was arguably the most complex director of postwar Italian cinema. His films - "Accattone", "The Canterbury Tales", "Medea" and "Salo" - continue to challenge and entertain new generations of cinema audiences. A leftist, homosexual and distinguished writer of fiction, poetry and criticism, Pasolini once claimed that "a certain realism" informed his filmmaking. Combining analyses of Pasolini's literary and theoretical writings with critiques of his films, Maurizio Viano offers a thorough study of Pasolini's cinematic realism, in theory and in practice. He argues that homosexual themes are present in these films in a manner that critics have thus far failed to acknowledge.
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Produkt-Hinweis
Gewicht
ISBN-13
978-0-520-07854-3 (9780520078543)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Klassifikation
Maurizio Viano is Associate Professor of Italian at Wellesley College.
Preface
1 Authorial lntertext
2 Extravagantly Interdisciplinary
3 An Explosion of My Love for Reality
4 Accattone
5 Mamma Roma
6 La ricotta
7 La rabbis
8 Comizl d'amore
9 Sopraluoghl in Palestlna
1 O // Vangelo secondo Matteo
11 Uccellacci uccellini
12 La terrs vista dalla /una and Che cosa sono le nuvole?
13 Edipo re
14 La sequenza del flore di carta
15 Appunti per un film sull'India
16 Teorema
17 Porcile
18 Medea
19 Appunti per un'Orestiade Africans 2
20 Le mura di Sana'a
21 La trilogia della vita
22 Salo o le 120 giornate di Sodoma
Coda
Notes
Bibliography
Filmography
Index