Undocumented is the story of immigrant workers who have come to the United States without papers. Every day, these men and women join the work force and contribute positively to society. The story is told via the ancient Mixtec codex-accordion fold-format. Juan grew up in Mexico working in the fields to help provide for his family. Struggling for money, Juan crosses over into the United States and becomes an undocumented worker, living in a poor neighborhood, working hard to survive. Though he is able to get a job as a busboy at a restaurant, he is severely undercompensated-he receives less than half of the minimum wage! Risking his boss reporting him to the authorities for not having proper resident papers, Juan risks everything and stands up for himself and the rest of the community.
Rezensionen / Stimmen
"Remarkable...The artwork is deliberately evocative of Mesoamerican logography, with figures and perspectives that feel at once bizarre and totally familiar." -- Vulture "Undocumented, featuring multi-award winning author/illustrator Tonatiuh's (The Princess and the Warrior) vibrant, stylized illustrations, is an all-too-real discussion about fair pay and the hostility U.S. citizens often display toward undocumented immigrants." -- Shelf Awareness "By focusing on the narrative of one immigrant worker, Tonatiuh breaks the mammoth issues of immigration and workers rights into an easy-to-swallow bite, allowing the reader to easily engage with an often intimidating topic. The personal is again political. Highly recommended." -- Kirkus "Multiple Pura Belpre Medal and Honor-awarded Tonatiuh (Diego Rivera?, 2011) channels his interest in the Mixtec codex format to create a superb modern odyssey, stupendously illustrated in his signature contemporary adaptation of pre-Columbian art forms, presented on accordion pages in a handsome slip-case." -- Booklist online "Although Juan is a fictional character, the story is a very real one: many undocumented workers are mistreated by employers, but are too afraid to speak up." -- GeekDad "The book gives eloquent voice to the millions of undocumented people who come here with dreams of helping their families and work hard, contributing so much to this country." -- Booklist online
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Interest Age: From 14 to 99 years
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Maße
Höhe: 287 mm
Breite: 175 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-1-4197-2854-9 (9781419728549)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Duncan Tonatiuh was born in Mexico City and grew up in San Miguel de Allende, in the historical state of Guanajuato, Mexico. Duncan Tonatiuh studied writing and illustration at Parsons The New School for Design in New York City. His illustrations are inspired by the ancient Mixtec art. Duncan's first book, Dear Primo: A Letter to my Cousin, won a Pura Belpre? Illustration Honor; Diego Rivera: His World and Ours won the Pura Belpre? Illustration Award and the Toma?s Rivera Mexican American Children's Book Award; Pancho Rabbit and the Coyote: A Migrant's Tale was featured on the front cover of USA Today, received a Pura Belpre? Illustration Honor for illustration and narrative and the Toma?s Rivera Mexican American Children Book Award; Separate is Never Equal: Sylvia Mendez and her Family's Fight for Desegregation, received a Pura Belpre? Illustration Honor, a Robert F. Sibert honor for best informational book, and the Toma?s Rivera Mexican American Children Book Award; Funny Bones: Posada and His Day of the Dead Calaveras was named a New York Times Best Illustrated Book, won the Robert F. Sibert award for best informational book, earned a Pura Belpre Illustration Honor, and the Tomas Rivera Mexican American Children Book Award. The Princess and the Warrior: A Tale of Two Volcanoes received a 2017 Pura Belpre? Illustrator Honor. Duncan currently lives in San Miguel de Allende, Mexico, with his wife and children.
