I am not writing this to be sentimental. I am just trying to find an answer to a story...
An artistic girl in Renaissance Venice, quietly rebelling against the constraints of her gender.
A young milordi on a European Grand Tour, recognising the world and his secret sexuality.
A ballerina in nineteenth-century Paris, choosing between suitors.
A Greek mother, beginning a new life with her family in a migrant reception centre in regional Australia.
And, finally, a paintings conservator in contemporary Melbourne, breaking her own heart.
A single, small artwork - subversive, hidden, and oddly blue - somehow survives for five hundred years, linking the lives of these characters.
An intricate tale of grief and discovery, of watery destruction and earthly love.
Rezensionen / Stimmen
a multi-layered story of love lost, past and present, and the endurance of art - Books + Publishing
Beautifully done with great imagination - Sydney Morning Herald
Readers who loved Tracy Chevalier's Girl with a Pearl Earring will also be captivated by this novel - Sunday Tasmanian
Sprache
Verlagsort
Maße
Höhe: 196 mm
Breite: 128 mm
Dicke: 20 mm
Gewicht
ISBN-13
978-0-7336-4534-1 (9780733645341)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Claire Thomas is a writer from Naarm/Melbourne. Her first novel was Fugitive Blue, which won the Dobbie Literary Award for women writers, and was longlisted for the Miles Franklin Literary Award. Her second novel, The Performance, also longlisted for the Miles Franklin, was internationally published to critical acclaim, and shortlisted for the NSW Premier's Literary Award Christina Stead Prize for Fiction in 2022. Claire holds a PhD from the University of Melbourne and has worked as a mentor, lecturer, supervisor and teacher for many years. On Not Climbing Mountains was written with the support of residency at the Fondation Jan Michalski in Montricher, Switzerland.
