Chintz explores the historic importance of Indian printed and painted cotton textiles, drawing on the Karun Thakar Collection. Assembled over thirty years, the collection comprises over two hundred examples, many of which have featured in significant museum exhibitions. With contributions from leading scholars and curators, including from the Victoria and Albert Museum and the Metropolitan Museum of Art, this book examines the historical significance of Indian printed cottons and their influence on global trade from the 14th century onward, and includes examples found in Sri Lanka, Japan and throughout Europe. The book provides insights into the artistry of Indian designers and the enduring legacy of this textile tradition, making it a valuable resource for those with an interest in art history, textile design and global cultural exchange.
Sprache
Verlagsort
Illustrationen
Maße
Höhe: 340 mm
Breite: 300 mm
ISBN-13
978-1-78884-345-4 (9781788843454)
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Schweitzer Klassifikation
A prolific collector and researcher of textiles, Karun Thakar has refined his discerning approach over forty years, building one of the most important private collections in the world. He believes that every textile in his collection has a story to tell about the people who made it and the way that they lived. He lends and donates pieces to international museums to deepen the understanding of what they mean and the cultures to which they belong. Through cloth and his wider collection, he hopes to contribute to a wider understanding of postcolonial narratives. A key aspect of his collecting, exhibiting and publishing is to present objects, such as domestic embroidery, that are not represented in museum collections, and to engage a new audience and demographic through these objects and their many untold narratives. He believes that exploring people's histories through the medium of cloth offers an ideal way to address difficult and complex topics both contemporary and historical. He has published seven books about his collection, and in 2021 launched the Karun Thakar Fund at the V&A. The fund offers scholarships and grants of up to GBP10,000 to students, early career researchers and emerging practitioners working anywhere in the world on any aspect of Asian or African textiles and dress.
Contributors include: Avalon Fotheringham, editor, Curator of South Asian Textiles and Dress, Victoria & Albert Museum, London. John Guy, Senior Curator of the Arts of South and Southeast Asia, The Metropolitan Museum of Art, New York. Sylvia Houghteling, Associate Professor of History of Art, Bryn Mawr College, Pennsylvania. Ebeltje Hartkamp-Jonxis, Curator Emeritus, Rijksmuseum, Amsterdam. Ariane Fennetaux, University Professor, Sorbonne Nouvelle University, Paris. Steven Cohen, Independent scholar. Rosemary Crill, former Senior Curator for South Asia, Victoria & Albert Museum, London. Ruth Barnes, Thomas Jaffe Curator of Indo-Pacific Art, Yale University Art Gallery, Connecticut. Etsuko Iwanaga, Director, Fukuoka Art Museum, Japan. Fiona Kerlogue, former Deputy Keeper of Anthropology, Horniman Museum, London. Anna Lise Seastrand, Associate Professor of Art History, University of Minnesota-Twin Cities.
