Contents: Introduction; Part I Biographical Studies: The fortunes of Vivaldi biography, from Pincherle to the present, Michael Talbot; Antonio Vivaldi e i Vivaldi, Gastone Vio; Antonio Vivaldi prete, Gastone Vio; Vivaldi dagli archivi di Mantova, Claudio Gallico; I nove 'principi di altezza' corrispondenti di Vivaldi e la dedica enigmatica del Concerto RV 574. Alla ricerca dell'indirizzario perduto, Carlo Vitali; Documenti inediti su Vivaldi a Roma, Fabrizio Della Seta; Wenzel von Morzin as a patron of Antonio Vivaldi, Michael Talbot; Vivaldi e il Teatro La Pergola a Firenzi: nuove fonti, William C. Holmes. Part II Source Studies: Towards a Vivaldi chronology, Paul Everett; Vivaldi's marginal markings: clues to sets of instrumental works and their chronology, Paul Everett; Vivaldi at work: the autograph of the 'Gloria' RV 589, Paul Everett; Vivaldi's Quadro? The case of RV Anh. 66 reconsidered, Michael Talbot; La famosa mano di Monsieur Roger: Antonio Vivaldi and his Dutch publishers, Rudolf Rasch; Vivaldi and Lotti: two unknown borrowings in Vivaldi's music, Kees Vlaardingerbroek. Part III Analytical and Genre Studies: Le opere giovanili di Antonio Vivaldi, Federico Maria Sardelli; Vivaldi's 'Crucifixus' in its descriptive and rhetorical context, Jasmin Cameron; Formal structure in Vivaldi's variation sets, Nicholas Lockey; 'Die schwarze Gredel', or the parallel minor key in Vivaldi's instrumental music, Bella Brover-Lubovsky; Ueber die Beziehungen zwischen einigen Concerto- und Sinfonia-SA?tzen Vivaldis, Karl Heller; The dramatic in Vivaldi's cantatas, Colin Timms; Vivaldi's Serenatas: long cantatas or short operas?, Michael Talbot; Antonio Vivaldi's setting of Teuzzone: dramatic speech and musical image, Reinhard Strohm; Name Index.
