*Combines perspectives from production studies, media industry studies and studies of television drama with perspectives related to globalisation, the public interest and the 'end of television' discourse to build an analytical framework for discussing television production in the years to come
*Supplies unique empirical insight into a small selection of novel drama productions (most importantly, Lilyhammer and SKAM/SHAME) and the production culture and organisational context that surround them
*Contributes to the field by combining US and European perspectives on television production in times of change
Rezensionen / Stimmen
"Sundet provides both historical sources and deep knowledge of contemporary TV scholarship. . the research presented here is especially ripe for researchers of twenty-first century public service media, since some of the issues - especially those relating to the challenges between nationally-oriented public service media and international/global streaming services -apply to public service broadcasters other than Norwegian NRK." (Kim Toft Hansen, Critical Studies in Television, May 07, 2022)
Auflage
Sprache
Verlagsort
Verlagsgruppe
Springer International Publishing
Zielgruppe
Illustrationen
13
13 farbige Abbildungen
XI, 147 p. 13 illus. in color.
Maße
Höhe: 210 mm
Breite: 148 mm
Dicke: 9 mm
Gewicht
ISBN-13
978-3-030-66420-6 (9783030664206)
DOI
10.1007/978-3-030-66418-3
Schweitzer Klassifikation
Vilde Schanke Sundet (PhD) is a researcher in media and communication at the University of Oslo, Norway. She has published extensively on topics of television production, media industries, media policy and audiences/Fans, and she is an expert on online drama.
1. National Television, Drama, and Streaming.- 2. Industry Perceptions of Streaming.- 3. Changing Production Cultures.- 4. Changing Publishing Strategies.- 5. Changing Industry-Audience Relations.- 6. The End of Television and the New Beginning.-
