(Designing) Beyond the Modern is the second volume in a trilogy by Eduardo Staszowski and Virginia Tassinari, following Designing in Dark Times: An Arendtian Lexicon (2020).
This book is a provocation: how can we begin to move beyond the modern when so much of how we think and make remains entangled in its logic? Among the forces that have both shaped and been shaped by the modern project, design occupies a central role. Rather than treating it as a neutral tool, this book approaches design as a practice deeply implicated in modernity's extractive, colonial, and anthropocentric foundations. The parenthesis in the title signals an ambivalence about whether "designing" can remain a relevant or viable practice. Without offering a conclusion, the book confronts the legacy of the Modern and calls for a caesura: a rupture, a pause, or an interval where a critical praxis, whether called design or not, might begin to take shape.
Drawing on philosophy, decolonial thought, and design theory, it challenges the logics that continue to shape modern institutions and imaginaries. Through essays, fragments, and engagements with the work of Tomas Maldonado, along with a conversation with Arturo Escobar and a contribution from Ailton Krenak, this book traces tensions and potential shifts that emerge when thinking and acting beyond the Modern.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 25 mm
Gewicht
ISBN-13
978-1-350-16439-0 (9781350164390)
Copyright in bibliographic data is held by Nielsen Book Services Limited or its licensors: all rights reserved.
Schweitzer Klassifikation
Eduardo Staszowski is associate professor of Design Strategies at Parsons School of Design, and Director of the Parsons DESIS Lab, New York, USA. He is the co-editor of the Designing in Dark Times series and of the book Designing in Dark Times: An Arendtian Lexicon (Bloomsbury 2020).
Virginia Tassinari is Assistant Professor at LUCA School of Arts, Belgium, where she also founded the LUCA DESIS Lab; Visiting Professor at Politecnico di Milano, Italy, and a design researcher for Pantopicon, an Antwerp-based foresight and design studio. Her research areas are design and philosophy, with a specific focus on design for social innovation, participatory design and design activism. She is the co-editor of the book Designing in Dark Times: An Arendtian Lexicon (Bloomsbury 2020)
Herausgeber*in
Parsons School of Design, USA
LUCA School of Arts, Belgium
TABLE OF CONTENTS:
PREFACE
ACKNOWLEDGMENTS
INTRODUCTION
i. Moving Beyond
ii. Critical Praxis
iii. The Structure of the Book
THE MODERN
Many Faces of Modern
Reframing the Modern
Catastrophe
Colonial
Human
DESIGNING
Designing Today, Tomas Maldonado
Commentary on Maldonado
Design-as-Modern
Dilemma
Nihilism
Dialectics
Expertise
Denaming and Renaming
Idiocy
Tomas Maldonado, Design and The Future of Modernity, Emanuele Quinz
BEYOND THE MODERN
Beyond
A Conversation with, Arturo Escobar
Language
Exteriority
Caesura
Affirmative Critique
Potentialities
Ancestral
Get Out of This Concrete Nightmare!, Ailton Krenak
AFTERWORD
Index