This volume brings together a group of analytical chapters exploring traditional genres and styles of world music, capturing a vibrant and expanding field of research. These contributors, drawn from the forefront of researchers in world music analysis, seek to break down barriers and build bridges between scholarly disciplines, musical repertoires, and cultural traditions. Covering a wide range of genres, styles, and performers, the chapters bring to bear a variety of methodologies, including indigenous theoretical perspectives, Western music theory, and interdisciplinary techniques rooted in the cognitive and computational sciences.
With contributors addressing music traditions from Africa, Asia, Europe, and the Americas, this volume captures the many current directions in the analysis of world music, offering a state of the fi eld and demonstrating the expansion of possibilities created by this area of research.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Postgraduate
Illustrationen
113 s/w Abbildungen, 85 s/w Zeichnungen, 13 s/w Tabellen, 28 s/w Photographien bzw. Rasterbilder
13 Tables, black and white; 85 Line drawings, black and white; 28 Halftones, black and white; 113 Illustrations, black and white
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 19 mm
Gewicht
ISBN-13
978-1-032-19734-0 (9781032197340)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Lawrence Beaumont Shuster is Lecturer in Music Theory at Cornell University.
Somangshu Mukherji is Assistant Professor of Music Theory at the University of Michigan.
Noe Dinnerstein is Adjunct Assistant Professor at John Jay College of Criminal Justice, City University of New York.
Herausgeber*in
Cornell University, USA
Introduction
Phenomenology of Segah Mugham Creativity on the Tar
Rhythm, Form, and Performance in Ladakhi Traditional Songs
Moving to the Music: Quantity of Motion as a Tool to Study North Indian Raga Performance
From Dusk till Dawn: Analysis of Cretan Music Festivities
The Continua of Sound Qualities for Tanya Tagaq's Katajjaq Sounds
Representing and Experiencing Rhythm in Drumming from Santiago de Cuba
Tapping to Recordings of Bulgarian Music: A Cross-Cultural Study of Meter and Tempo
Tempo, Meter, and Form: An Analysis of "Dansa" from Mali
Mapping Timbral Surfaces in Alpine Yodeling: New Directions in the Analysis of Tone Color for Unaccompanied Vocal Music
Creative Processes in Improvising Jibaro Decima
"Da mihi manum": An Irish Arcanum
Toward a Theory of Ika: The Rhythmic Identity of Melody in Late Eighteenth-Century Turkish Art Music
Applying the Generative Theory of Tonal Music to World Music Idioms: An Analytical Approach to the Polyphonic Singing of Epirus
Language Models and World Music Analysis
