A bizarre imagination married to a craft that falls little short of the sublime places Richard Shirley Smith outside the artistic mainstream from the start. In his life and his art he has inhabited a world of fabulous curiosities and transformations, supplied by the idiosyncrasies of a scholarly and labyrinthine mind.;Laurence Whistler, who early recognized the artist's gifts, spoke of his ambiguity of mood. Richard Shirley Smith revels in elaborate settings, crumbling Italianate architecture, romantic decay, masks, metamorphoses and misrule. Pulcinella and his cohorts of the Commedia dell' Arte peek and prance amongst a wonderful array of props. Strange objects, veiled statues, ambiguous beasts and insects pose like actors on a stage. But behind it all is a deep if delicious awareness of time and mutability.;This illustrated book contains over 150 colour plates, the artist's personal annotations, with his memoirs of early mentors, David Jones and Gerald and Joy Finzi. These are accompanied by essays on his work, which aim to enthral the reader in a profoundly fascinating and beautiful theatre of the imagination.
Rezensionen / Stimmen
'His light opaque palette, making use of a stunning illusionist virtuosity delights in every crack and chip in every surface. He loves strange juxtapositions and confrontations, creating a mythology which owes much to de Chirico and Dali.' Roy Strong
Sprache
Verlagsort
Verlagsgruppe
Illustrationen
150 colour plates, 20 engravings
Maße
Höhe: 25 mm
Breite: 231 mm
Dicke: 295 mm
Gewicht
ISBN-13
978-0-7195-6332-4 (9780719563324)
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Schweitzer Klassifikation
Richard Shirley Smith was born in Hampstead and studied at the Slade School of Fine Art and in Rome. His commissioned trompe l'oeil murals grace many stately and humbler homes in London and elsewhere. But this book brings together the paintings and collages (and some of the wood engravings) he made to please himself and which represent his major output - much of it now in private hands and inaccessible.