Introduction, Susan Sellars; the return of the repressed - reading Mary Shelley's "The Last Man", Jane Aaron; critical warfare and Henry Miller's "Tropic of Cancer", Linda Williams; "Miranda, Where's Your Sister?" - reading Shakespeare's "The Tempest", Ann Thompson; fingers in the fruit basket - a feminist reading of Jeanette Winterson's "Oranges Are Not the Only Fruit", Rebecca O"Rourke; Jane Austen, politics and sensibility, Janet Todd; Antonia White"s "Frost in May" - a lesbian feminist reading, Pauline Palmer; history, memory and language in Toni Morrison's "Beloved", Rebecca Ferguson; "O Careless, Unspeakable Mother" - H.D.Irigaray and maternal origin, Claire Buck; John Clare's "Child Harold" - the road not taken, Lynne Pearce; "Oh Oxford Thou Art Full of Filth" - the prophetical writings of Hester Biddle, 1629(?)-1696(?), Elaine Hobby; "The Assembly of Ladies" - a maze of feminist sign-reading, Ruth Evans and Lesley Johnson; "The Rattling of her Discourse and the Flapping of her Dress" - George Meredith writing "The Women of the Future", Penny Boumelha.
