Released in 2001, Guillermo del Toro's The Devil's Backbone marked out the director as a singular talent with the unique ability to mix the macabre with the sublime. Set during the Spanish Civil War, the film focuses on ten-year-old Carlos (Fernando Tielve), an orphan taken in by Republican sympathizers. On his first day at the orphanage, he witnesses a ghostly apparition, the spirit of a young boy named Santi (Andreas Munoz). With the ghost's help, Carlos must uncover the dark secrets that led to Santi's death.
Seen by del Toro as a spiritual companion piece to his Oscar-winning Pan's Labyrinth (2006), The Devil's Backbone explores similar themes against the backdrop of the same brutal conflict that turned ordinary men into monsters. This book is written in close collaboration with the director and provides the definitive account of the film's creation, covering everything from del Toro's initial musings through to the haunting designs for Santi, the hugely challenging shoot, and the overwhelming critic and fan reactions upon its release.
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Verlagsort
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Maße
Höhe: 289 mm
Breite: 245 mm
Dicke: 25 mm
Gewicht
ISBN-13
978-1-68383-108-2 (9781683831082)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Matt Zoller Seitz is the editor-in-chief of RogerEbert.com, the TV critic for New York Magazine, the author of The Wes Anderson Collection and The Oliver Stone Experience, and the co-author of TV (The Book). He is based in New York City.
Guillermo del Toro is the acclaimed director of The Shape of Water, Pan's Labyrinth, Pacific Rim, and Crimson Peak. His Strain novels are international best sellers. He lives in Los Angeles with his wife, kids, dog, cat, and rat.
Simon Abrams is a New York-based film critic and regular contributor to the Village Voice, RogerEbert.com, and Vulture. He has written about horror movies, comics, and opera for the New York Times, Nashville Scene, LA Weekly, and other outlets.
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