The Ugly Laws

Rezensionen / Stimmen

This book is, as Schweik convincingly caharacterizes it, 'a history of the harm done bylet us allow the phrase some forcelack of regard.' It provides useful background for understanding current efforts to encode and enforce protections for the disabled and disadvantaged. - Marilyn Chandler McEntyre (The Christian Century) The range of concerns illuminated by Schweik's materialist and historicist focus on the ordinances proves that The Ugly Laws has succeeded, as the book's poignant last words put it, in showing how much more we understand when we begin to face the history of disability' - Jean Franzino (Register of the Kentucky Historical Society) The Ugly Laws is a focused and deeply mined interrogation of a familiar cultural figurethe unsightly beggarthat has not until now been critically examined. Schweik is a virtuosa of both close reading and the big picture, merging historical scholarship with analysis of the discursive elaboration and cultural work of the unsightly beggar figure. The Ugly Laws is an essential text. - Rosemarie Garland-Thomson,author of Extraordinary Bodies Schweik uses & unsightly beggar laws in American cities in the late nineteenth and early twentieth centuries to explore fundamental questions about disability, race, gender, and class in new and often startling ways. The book is beautifully written, delightfully thought-provoking, and deeply researched. It is quite honestly the best work of scholarship I have read in a long time. - Douglas C. Baynton,author of Forbidden Signs Thoughtful, comprehensive, insightful, readable, and full of interesting characters and colorful digressions, The Ugly Laws is an admirable piece of scholarship and a significant contribution to the literature. - Robert L. Burgdorf Jr.,author of Americans with Disabilities Schweik delivers a compelling and insightful examination of disability norms, municipal law, and American culture. . . . She gives voice to the fascinating stories of the unsightly, the alienated, and the excluded. A valuable contribution for anyone interested in disability theory, poverty law and policy, and social history. - Paul Steven Miller,Director, Disability Studies Program, University of Washington Schweik draws on a deep index of resources, from legal proceedings to out-of-print books, to tell the story of individuals long lost to history. (Publishers Weekly) Schweik draws on a deep index of resources, from legal proceedings to out-of-print books, to tell the story of individuals long lost to history. (Publisher's Weekly) This cultural history is a revelation, rich with insights that let us ponder our own encounters with disability and the categories we make. (The Cleveland Plain Dealer) What is ugliness, and how ugly is too ugly? Perverse though such discrimination might seem today, Schweik suggests that re-examining such laws 'might prove very useful as a way of foregrounding the inevitable ambiguity of the category of & disability. (The Chronicle Review) Standing at the intersection of disability history and poor peoples history, opens a window on an attractive landscape for scholars to explore. (Journal of American History) Part investigative reportage, historiography, anecdote, legal study, cultural critique, and life writing, SchweiksUgly Lawsis an important and necessary addition to disability studies scholarship and also happens to be a fascinating piece of storytelling. [] There is much to applaud inThe Ugly Laws. Schweik extends disability studies scholarship by taking an interdisciplinary approach to the history of disability. Her research and writing provide insights and revelations in regards to disability discrimination. Scholars in disability studies, rhetoric, and related fields of study will find much value in her contribution. (JAC: Journal of Rhetoric, Culture, and Politics) Overall, this is a thorough, careful, and sensible work, which is both fascinating and also moving as an account of social oppression of disabled people. (Metapsychology Online Reviews) Susan Schweik... has written a brilliant study of the ugly laws that illuminates this largely forgotten corner of the American history of body impairments, aesthetic norms, and urban spatial regulation. Schweiks book serves, too, as a powerful demonstration of the vast potential of disability studies, like gender studies and queer theory with which it is frequently allied, to enlarge and to transform our understandings of what is frequently taken for granted as natural, to shed new light on the subterranean recesses of culture, and not simply to assist us to think outside the box, but to question whether there needs to be a box at all... The riotous encounters she analyzes, with their mixture of menace, chaos, conflicting cultures, and colorful characters, paint fascinating, Dickensian word pictures that bring to life the illusive, urban crowd and its antagonists in compelling and analytically pointed ways. (Journal of Social History) In analyzing the ugly laws, Schweik reveals how individuals have come to define their identities around work and self-sufficiency, and how the failure of those with disabilities to do so can result in character assassination of these individuals as frauds and morally bankrupt, diseased tricksters and thieves. A subtle and complex study. (Choice) Shweik combines a sophisticated grasp of disability, critical race and social theory, extensive archival and legal research, close textual analysis, and broad reading in a wide range of historical and other literatures. Her account brings the insights of disability history and theory to bear on systems of exclusion, subordination, and othering more generally in American life as the United States entered the twentieth century... This is a powerful book, essential reading for scholars of disability, race, gender, sexuality, immigration, urban, legal, social movement, and twentieth-century history more generallyindeed, for anyone concerned about law and its power and the limits of that power to define borders of belonging. (American Historical Review) Sometimes you can judge a book by its cover. The stark photo by Paul Strand illustrating The Ugly Laws: Disability in Public conveys perfectly the realities and subtleties described in its pagesincluding the fear, pity, and revulsion with which the public so often regards those with physical disabilities. (California Lawyer)