Shortlisted for the Association of Dress Historians Book of the Year Award, 2024
In the first book to examine the role played by textile manufacturing in the development of fashion in Italy, A New History of 'Made in Italy' investigates Italy's transition from a country of dressmakers, tailors and small-scale couturiers in the early post-Second World War period to a major producer of ready-to-wear fashion in the 1980s. It takes the reader from Italy's first internationally attended fashion show in 1951 to Time magazine's Giorgio Armani April 1982 cover story, which signalled the fashion designer's international arrival, and Milan's presence as the capital of ready-to-wear.
Chapters focus on the material substance of Italian fashion - textile - looking at questions including the importance of manufacturing quality, design innovation, composition, production techniques, commerce and the role of textile on the country's overall fashion system. Through these, Lucia Savi brings to light the importance of synthetic fibres, previously little-known players, such as the carnettisti (a type of textile wholesalers) as well as re-investigating well-known couturiers and designers such as Simonetta, Gianfranco Ferre and Gianni Versace.
By looking at how things are made, by whom, and where, this book seeks to unpack the 'Made in Italy' label through a focus on making. Informed by extensive archival materials retrieved from a wide range of sources, it brings together the often-separated disciplines of fashion, textile and design history.
Rezensionen / Stimmen
In this long-awaited study, [Savi] probes with surgical acuity the connections in economics and fashion history that led to the worldwide spread and ... democratization of Italian fashion ... [exploring] new territory in terms of both method and sources ... with crisp color illustrations, indispensable for the reproduction of fabric patterns and drawings. * The Journal of Design History * An incredible interdisciplinary achievement, and I can't help but feel that spirit of Italian romanticism when reading it. Savi is relentless in her depth and tactful in her approach, but the delicate way she weaves it together is proof of her passion. * Fashion, Style & Popular Culture * A very useful tool for both fashion scholars and theorists who can find previously unpublished insights, and for students who can approach the meaning and role of Italian fashion in a critical yet accessible way. * ZoneModa * A beautifully researched, 'inside out' study demystifying the origins of Made in Italy fashion ... A long overdue resource. * Sonnet Stanfill, V&A London, UK * Highly original ... offering radically new insights into postwar Italian fashion and its links with production, industrial and technological advances, and the fashion system. * Giuliana Pieri, Royal Holloway, University of London, UK * Bringing together textile and fashion history and meticulously researched, Savi brings an innovative and important material and making-based dimension to understand the post-WWII rise of Italian fashion in new ways. * Catharine Rossi, University for the Creative Arts, UK * The first study to bring together two well-documented but hitherto unconnected fields - post-war Italian fashion and post-war Italian textiles. Savi has brilliantly understood the umbilical cords that link them. * Penny Sparke, Kingston University, UK *
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
Maße
Höhe: 230 mm
Breite: 153 mm
Dicke: 17 mm
Gewicht
ISBN-13
978-1-350-24779-6 (9781350247796)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Lucia Savi is a curator at the Design Museum, London. In 2021 she curated the V&A exhibition Bags: Inside Out and authored its accompanying publication. Dr Savi has a PhD from Kingston University, UK, on Italian fashion and textiles, and has contributed to fashion and design exhibitions and their catalogues including The Glamour of Italian Fashion 1945-2014 (V&A, 2014) and Beyond Bloomsbury: Design of the Omega Workshops 1913-1919 (Courtauld, 2009).
Autor*in
The Design Museum, UK
List of Figures
Acknowledgments
Glossary
Introduction
Locating Italian Fashion
Made in Italy
Researching 'Made in Italy'
Primary Research Sources
The Inside-Out Method
Research Parameters
Chapter Structure
1. Fibers and the Making of Italian Textiles in the Post-War Period
Introduction
Italy between Tradition and Modernity
Between Couturiers and Manufacturers
From Paris to the USA's influence
The Fascist Period and the 1930s
Fibers and Politics
Italian Fashion's Materiality
Natural, Artificial and Synthetic Fibers
Silk, artificial and synthetic fibers
SNIA Viscosa and Fibers Promotion
The Legitimization of New Fibers
2. The American Export Market and its Influence on Italian design
Introduction
Textiles Make Fashion: Italy at Work and Sala Bianca
Italian Fashion in Italy at Work
Italian Textiles in Italy at Work
Sala Bianca
Italy and the USA: Export and Domestic Market
The Value of Hand Made and Machine Made in Italy and USA
Boutique Fashion as Proto Italian Ready-to-Wear
The Mechanisms of Copies- Italy and the USA between 'Made in Italy' and Export
Made in Italy and Export
The Transatlantic Commerce of Italian Couture: Simonetta Case Study
Ready-to-Wear versus Couture
The Value of Copies
3. The 1960s, a Decade of Metamorphosis in Italian Fashion
Introduction
Treaty of Rome and Export
The Camera Nazionale della Moda Italiana (CNMI) and the Promotion of High Fashion
New Ways of Production, with New Products and New Ways of Consumption
Industry and Alta Moda
Boutique of Ready-to-Wear
4. Fashion meets Industry: The Role of Carnettisti in Domestic and International Markets
Carnettisti in Italy
The Assortitori Tessuti Novita (Sorter of New Textiles)
Distribution of Textiles in the 1960s
Carnettisti in CNMI: Towards a Codified Role and Crisis
5. Milan and the Stilisti
Introduction
Rise of Milan
Distretti Industriali (Industrial Districts)
The Stilista, the Link between Textile and Fashion Production
Stilista and Industrial Production
Transition from Carnettista to Stilista
6. Designing for Mass-Production
Designing Fashion
Literature Review for Fashion Working Drawings
Fashion Working Drawing Decoded
Paper, Type of Drawing and Inscriptions
Style and Aesthetics
Textiles
Gianfranco Ferre: a Case Study
Conclusion
Inside Fashion: the Role of Materials and Production
Fibers and materials
Internationalization
Industrialization
Bibliography
Index
