'I'm going to tell you what happened to me and what didn't happen to me. The possibility that nothing happened to me is what's giving me the shakes.'
Marta believes she is dying. With the onset of menopause, the changes to her body are stirring up new anxieties. Every time she feels a pain in her chest, a numbness in her arm, or a tension in her clavicle, she assumes she has cancer, or some other diagnosis she has yet to learn of.
During a flight, she starts to experience a pain underneath her rib. Unsure whether the pain signals the ominous approach of death or a simple bout of flatulence, Marta descends into an examination of pain's impact upon her life. Is her body failing her or is she failing her body?
From one of Spain's most widely read and acclaimed authors, My Clavicle And Other Massive Misalignments is a provocative and vulnerable semi-autobiographical novel rendering a memorable portrait of pain, health anxiety and menopause.
Rezensionen / Stimmen
'Sanz's autofictional English-language debut is a poetic mediation on illness, mortality, and writing.' -- Sophia Stewart * The Millions' Great Summer 2025 Book Preview * 'This work of autofiction ... abounds with lived-in details on everything from anxieties over mortality to going through the menopause. Sanz also works on some interesting formal choices into this book, along with nods to writers as disparate as Lillian Hellman, Elvira Navarro, and James M. Cain.' -- Tobias Carroll * The Watchlist: July 2025 * 'One of the most harsh, beautiful, brutal and impious books that I have read in a long time.' -- Leila Guerriero * Clavicula: Me tomo pocas horas leer el libro, pero todavia siento sus efectos * 'She has found the best way to be a political writer: her language is like a body. She talks to you like nobody else can.' -- J. M. Pozuelo Yvancos * Marta Sanz, la crisis del cuerpo * 'A literary exercise in 'auto-fiction' that also studies the mood of a family and a wider social environment.' -- Inigo Urrutia * Cronica de un dolor * 'Marta Sanz demonstrates a poetics of fragility ... Her writing oozes pain and truth. However, ... it also oozes life, possibility, catharsis and games, luminosity and humour.' -- Edurne Portela * 'Clavicula', de Marta Sanz: una poetica de la fragilidad * 'Her (auto)fictive character is a funny and alive, kind of unsentimental, menopausal, overworked writer, who by the end of the first page, already describes an "attack of the farts." By the end of the second, calls another writer a bitch. This excellent voice-work is also due to Katie King, who translated Sanz's writing from Spanish.' -- Ruby Rosenthal * Life Disguised as Art in 'My Clavicle' * 'If art imitates life, then My Clavicle does a good job, because it's all over the place - but not all over the place in a way that feels disorienting. Although, if it is disorienting, it's because, Sanz is saying life is disorienting, and fractured like the main character's pain, in a way we don't ask for.' -- Ruby Rosenthal * Life Disguised as Art in 'My Clavicle' * 'Alongside refreshingly honest insights into the physical and mental difficulties of menopause, Sanz proffers equally honest reflections on the perils of being a writer.' * My Clavicle: And Other Massive Misalignments * 'For a novel about an obsession with mortality, this witty tale brims with vitality.' * My Clavicle: And Other Massive Misalignments *
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Maße
Höhe: 198 mm
Breite: 129 mm
ISBN-13
978-1-83675-001-7 (9781836750017)
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Schweitzer Klassifikation
Marta Sanz is an award-winning novelist, poet and essayist. Sanz has written fifteen novels and four collections of poetry, as well as contributing to anthologies and media publications like El Pais and El Mundo. Many of her novels have won prestigious prizes and four were included in El Pais's 100 Best Books of the Century.
Katie King is a highly experienced translator of Spanish literature. She has translated numerous works including Luis Garcia Montero's Someone Speaks Your Name and One Year and Three Months. As a translator, journalist and scholar, King has been published in esteemed publications including Words Without Borders, World Literature Today, and Columbia Journal as well as in print anthologies by Graywolf Press and Ecco Press.
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