Part I. Uruguayan contemporary muralism.- Challenges and opportunities of Uruguayan contemporary Muralism; Virginia Santamarina-Campos, Eva-María Martínez-Carazo, María De Miguel-Molina and Mª Ángeles Carabal-Montagud.- Constructive Universalism and the Influence of Torres García Eva-María Martínez-Carazo, Virginia Santamarina-Campos and María De Miguel-Molina.- Constructive Universalism, the golden artistic age; Ricardo Pickenhayn.- Social Realism, a political and social art; Eva-María Martínez-Carazo, Mª Ángeles Carabal-Montagud and Virginia Santamarina-Campos.- The Abstraction, the Unknow part of Uruguayan Contemporary Muralism; Eva-María Martínez-Carazo, Virginia Santamarina-Campos and María De Miguel-Molina.- National School of Fines Art. University extension and mural Painting; Ariel Sánchez-Guillén and Alejandra Berriel-Benvenuto.- The case of studio of Open-Air Museum of Ibero-American Art of San Gregorio de Polanco, Uruguay; Liliana Tarigo-Bonizzoni.- Thenew emerging artistic expressions: public mural art, graffiti and postgraffiti; Eva-María Martínez-Carazo, Virginia Santamarina-Campos and María De Miguel-Molina.- Consequences and Needs of the Uruguayan Contemporary Muralism; Eva Martínez-Carazo, Virginia Santamarina-Campos and María de Miguel-Molina.- Part II. Murals, Community and Cultural Tourism Museographic Project of the Uruguayan Contemporary Mural Production; Eva-María Martínez-Carazo, Virginia Santamarina-Campos and María De Miguel-Molina.- Murals in North America; María De Miguel-Molina, Virginia Santamarina-Campos, Eva-María Martínez-Carazo and Blanca De Miguel-Molina.- Incomplete Museum of Street Art, an evolution as a cultural destination; María Antonia Zalbidea-Muñoz.- Crossroads: Urban murals and their relation with memory tourism and the possibility of conservation and restoration; Elena García-Gayo and Esther Giner-Cordero.- Conclusions. Sustainability of cultural and creative mural spaces; Blanca De Miguel-Molina and María De Miguel-Molina.
