Written in the author's clear conversational style, with ample illustrations and visual analogies, this book features software agnostic tutorials and "cookbook recipes" for each phase of postaudio processing. The author begins with a section of FAQs from readers of the author's magazine column. After summarizing the significant points of audio theory, the author describes the preliminaries of setting up a post studio. From there he details every aspect of postproduction - from getting the tracks into the computer, to 'fixing and mixing,' to dealing with details of compression and streaming. The companion audio CD contains diagnostics, tutorial tracks, and demonstrations.
Rezensionen / Stimmen
"...you'll find that the audio concepts, terminology, and schematics are all explained in terminology that visual people can grasp pretty easily. Jay Rose is one of those audio technicians that's had to work with visual people long enough to learn how to speak in such a way that their eyes don't glaze over." -Jeremy Hanke, MicroFilmmaker Magazine (online review).
This is an excellent book for understanding audio post production and getting the best possible mix for your film. As such, if you want to create the best possible film you can, then you owe it to yourself to pick Audio Post Production for Digital Video up!- Jeremy Hanke, MicroFilmmaker Magazine, May 2007
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Maße
Höhe: 229 mm
Breite: 178 mm
ISBN-13
978-1-57820-116-7 (9781578201167)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Clio-and Emmy-award-winning sound engineer Jay Rose is creative director of the Digital Playroom. Specializing in post-production audio, his clients include PBS, Buena Vista Home Video, and Turner Network Television. Rose has written about audio for Videography, Recording, and Premiere Full Motion magazines.
Autor*in
Sound Designer, Columnist, Digital Video Magazine
Section 1 The basics - why you should care: how it all works. Section 2 Your facility, your project: the post studio; planning the track. Section 3 Recording and editing: getting it into the computer; voice over and ADR recording; editing dialog; working with music; working with sfx. Section 4 Fixing and mixing: planning the mix; equalization & filtering; dynamics control; delay effects; time and pitch effects; noise reduction; other effects; mixing; post-mixing.
