Focusing on Clara Schumann's central contributions to the genre of the Lied (or German art song), this is the first book-length critical study of her songs. Although relatively few in number, they were published and reviewed favorably in the press during her lifetime, and they continue to be programmed regularly in recitals by professional and amateur performers alike. Highlighting the powerful and distinctive features of the songs, the book treats them as a prism, casting light not just on them but also through them to explore questions that foster a deeper understanding of the work of female composers. The author argues for the importance of taking Clara Schumann's music on its own terms, the intimate relationship between text and musical form, and the vital role of musical analysis in recuperating the contributions of previously understudied composers.
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Fadenheftung
Gewebe-Einband
Illustrationen
Worked examples or Exercises
Maße
Höhe: 245 mm
Breite: 175 mm
Dicke: 18 mm
Gewicht
ISBN-13
978-1-108-83425-4 (9781108834254)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Stephen Rodgers is Edmund A. Cykler Chair in Music and Professor of Music Theory and Musicianship at the University of Oregon. His book The Songs of Fanny Hensel was published in 2021. Rodgers recently launched a website called Art Song Augmented, devoted to songs by underrepresented composers, and he hosts a podcast about poetry and song called Resounding Verse.
Autor*in
University of Oregon
Introduction; Part I. Context and Style: 1. Three assumptions; 2. Three hallmarks; Part II. Analysis: 3. Songs without opus numbers; 4. Songs with opus numbers; Epilogue: Clara Schumann and the depths of song; Index.
