This book is a biography in the form of an oral history about a woman whose founding of Arena Stage in Washington, DC in 1950 shifted live professional theater away from Broadway and inspired the creation of non-profit theaters around the country. Dianne Wiest, James Earl Jones, Stacy Keach, and Jane Alexander, among many others, share their memories of this intrepid pioneering woman during Arena Stage's early years.
As Head of New York University's Graduate Acting Program for 25 years, Zelda Fichandler also trained a younger generation of gifted actors. Marcia Gay Harden, Rainn Wilson, Mahershala Ali, and other developing actors who became "artist-citizens" under her guidance, talk about the ways in which she transformed their lives.
Theater practitioners who have lived during Zelda Fichandler's time will find this book a fascinating and entertaining read--as will all theater lovers, especially those in Washington, DC. And through this vivid and compelling oral history, students and aspiring artists will come to grasp how the theatrical past can shed essential light on the theater of today and tomorrow.
Rezensionen / Stimmen
"Zelda Fichandler's mind and personality spring to life in To Repair the World, a riveting oral history filled with moving recollections and surprising anecdotes on every page. Zelda's path-breaking career and tenacious vision continue to inspire."
--Howard Shalwitz, Artistic Director Emeritus, Woolly Mammoth Theatre Company
"Zelda curated an environment for growth and self-reflection, and I'm deeply grateful for that. She inspired you on your journey to find your life tools."
--Mahershala Ali, Academy Award-winning actor
"To Repair the World deftly weaves together interviews with Zelda Fichandler's own writing to provide an invigorating, nuanced, and timely look at the birth of a movement that changed the way Americans think about theater."
--Carey Perloff, former Artistic Director, American Conservatory Theater
'Robinson's bracingly frank book is full of this kind of complication and texture: praise tempered by criticism, and vice versa. Robinson's book even winds up in meta-contemplation of The Long Revolution itself-a collection that was in the works before Zelda's death but was only completed earlier this year.'
Rob Weinert-Kendt (he/him), editor-in-chief of American Theatre.
Full review is available here
''Robinson's book is a biography written in oral-history form. It traces Zelda's life and career through the reflections of her friends and colleagues, interspersed with Robinson's own writing and excerpts from Zelda's speeches and letters that give context to others' memories.''
Lucy Gram, SDC Journal
Full article is available here
''Mary B. Robinson chronicles this remarkable person in her recently published oral history biography, To Repair the World: Zelda Fichandler and the Transformation of American Theater. In 17 sections, 16 of which focus squarely on Zelda and her relationship with theater at Arena Stage and later at the New York University graduate acting program, Robinson has orchestrated hundreds of short oral accounts to create an intricate collage of the many facets of this theatrical legend. She does not spare us the warts or the controversies either because even those traits, which some experienced negatively, shaped the dynamism that is Zelda Fichandler.''
Robert Michael Oliver, DC Theater Arts
Full review is available here.
Reihe
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Academic, General, and Postgraduate
Illustrationen
30 s/w Abbildungen, 30 s/w Photographien bzw. Rasterbilder
30 Halftones, black and white; 30 Illustrations, black and white
Maße
Höhe: 235 mm
Breite: 157 mm
Dicke: 25 mm
Gewicht
ISBN-13
978-1-032-56463-0 (9781032564630)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Mary B. Robinson headed an undergraduate directing program at New York University (under the auspices of Playwrights Horizons Theater School) from 1999-2014. She has directed 70 productions at non-profit theaters (including Arena Stage, Manhattan Theatre Club, Second Stage, and Seattle Repertory Company), from 1981 to the present. She was one of 50 directors (along with Zelda Fichandler) featured in American Women Stage Directors of the Twentieth Century (University of Illinois Press, 2008). Author of Directing Plays, Directing People: A Collaborative Art, published by Smith & Kraus in 2012.
Note
Foreword by Jane Alexander
Preface
Prologue: Destined to be a Pioneer: Boston and Washington DC, 1924 to 1950
Chapter 1. Something Was Happening There: Arena Stage, 1950 to 1961
Chapter 2. Making a Point: Arena Stage, 1961 to 1967
Chapter 3. Trapped in the Ring: Arena Stage, 1967 to 1968
Chapter 4. Tension Between the Old and the New: Arena Stage, 1969 to 1973
Chapter 5. A Long-Postponed Rendezvous: Arena Stage in the Soviet Union, 1973
Chapter 6. Passionately Involved in Everything: Arena Stage, 1973 to 1978
Chapter 7. A Very Charmed Circle of People: Arena Stage, 1978 to 1984
Chapter 8. Changing the Zeitgeist: New York University, 1984 to 1991
Chapter 9. Adding Some New Energy: Arena Stage, 1984 to 1988
Chapter 10. An Unbridgeable Aesthetic Gulf: Arena Stage, 1986 to 1987
Chapter 11. A Sense of Completion: Arena Stage in Israel, 1987
Chapter 12. Returning to the Room with Actors: Arena Stage, 1987 to 1991
Chapter 13. Being a Missionary: The Acting Company, 1991 to 1994
Chapter 14. Taking Those Big Risks: New York University, 1991 to 2000
Chapter 15. Keeping the Door Open: Arena Stage, 1991 to 2008
Chapter 16. We Carry on Telling Stories: New York University, 2001 to 2008
Chapter 17. How Do We Move It Forward? Washington, DC, 2008 to 2016
Afterword: Passing the Fire
Acknowledgements
List of Contributors
Bibliography
Permissions
Index
