The pioneering film director and theorist Sergei Eisenstein is known for the unequalled impact his films have had on the development of cinema. Less is known about his remarkable and extensive writings, which present a continent of ideas about film. Robert Robertson presents a lucid and engaging introduction to a key area of Eisenstein's thought: his ideas about the audiovisual in cinema, which are more pertinent today than ever before. With the advent of digital technology, music and sound now act as independent variables combined with the visual medium to produce a truly audiovisual result. Eisenstein explored in his writings this complex, exciting subject with more depth and originality than any other practitioner, and this is an accessible and original exploration of his ideas. Winner of the Kraszna Krausz Foundation's And/Or Award for Best Moving Image Book of 2009, "Eisenstein on the Audiovisual" is essential reading for students and practitioners of the audiovisual in cinema and related audiovisual forms, including theatre, opera, dance and multimedia.
Rezensionen / Stimmen
his book is exceptionally well written. The argument is straightforward and the text lucid. ??????Eisenstein on the Audiovisual?????? should be on the shelves of every library of an institution teaching media and/or film studies in the English-speaking world - Richard Taylor, Emeritus Professor, author of "The Battleship Potemkin" (2000), "Film Propaganda: Soviet Russia& Nazi Germany" (2nd edn, 1998), and editor of "The Eisenstein Collection" (edited & translated, 2005), "The Pudovkin Collection" (edited & translated, 2006) and "The BFI Companion to Cinema in Eastern Europe and the Former Soviet Union" (co-editor, 2000).
Reihe
Sprache
Verlagsort
Verlagsgruppe
Bloomsbury Publishing PLC
Zielgruppe
Illustrationen
Maße
Höhe: 216 mm
Breite: 138 mm
ISBN-13
978-1-84511-839-6 (9781845118396)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Robert Robertson is a composer and filmmaker. He has an MFA in Film Production from the Mel Hoppenheim School of Cinema, Montreal. His music/films include 'Oserake and The River That Walks', 'Doors of the Spirits', and 'I'm Back', and he has produced the operas 'The Kingdom', 'The Cathars', and 'Empedocles'. He has been influenced by Eisenstein's ideas since 1977, and this book is the result of his doctoral research at King's College London, UK.
Introduction
1 Audiovisual counterpoint
2 Organic unity
3 Nonindifferent nature
4 Synaesthesia
