This work looks at the literary, cultural and political controversy surrounding "The Hand That Signed The Paper", its author, and the prizes and distinctions they received. It also discusses the implications of the debate for Australian cultural and political life, raising questions about how far a pluralistic society should tolerate the expression of painful, and even perhaps offensive, views. The book looks at the question of the novel's ideological implications, especially the claim that it reflects a distortion of the history of the Ukraine, that it is motivated by deeply anti-semitic attitudes and that it seeks to deny the Holocaust. It examines the distinction between fiction and propaganda, and raises questions about the responsibility of writers towards history and public opinion. The nature of literary prizes and awards is discussed, together with the relationship between a work of imagination and the real or assumed personality of an author. The views of several participants in the debate and also the opinions of literary, cultural and political commentators are canvassed.
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Maße
Höhe: 198 mm
Breite: 130 mm
ISBN-13
978-1-86448-109-9 (9781864481099)
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Schweitzer Klassifikation
Andrew Riemer is a well-known writer, critic and reviewer. For more than thirty years he taught in the Department of English at the University of Sydney, specialising in the work of Shakespeare. He has published several books on Shakespeare and numerous studies of nineteenth and twentieth-century fiction, notably the work of Patrick White.
His book reviews appear regularly in The Sydney Morning Herald and The Age. He has published three volumes of memoirs---INSIDE Outside, The Habsburg Cafe and, most recently, America With Subtitles, as well as The
Ironic Eye, a short book on Peter Goldsworthy's poetry and fiction. Riemer left the university in 1994 to devote himself to writing.
IntroductionPART 1 - REPRESENTING EVILA terrible storyThe banality of evilExplaining the inexplicableA lesson in historyAn open woundThe absence of remorsePART 2 - CREATING MONSTERSFirst impressionsHonouring wicked booksBringing the judges to bookCustodians of virtueA question of identityStolen wordsThe limits of freedomBolsheviks and atheistsThe dream of reasonAfterword