Tatler editor Geordie Greig's Book of the Year, 2004
Sarah Raphael (1960-2001) died young: preparing a show for New York, she contracted pneumonia and never recovered. Her work, large- and small-scale, is now represented in all the leading British collections. A major retrospective at Marlborough Fine Arts, London, in 2003, bringing together work from her last seven years, was as amazing as her earlier exhibitions in its brilliance, its formal variety and inventiveness.
One breathtaking area of her work which has so far been inadequately displayed is her drawing. There are few modern artists who equal her in assurance and firmness of line. Michael Ayrton said to her when she was fourteen, 'Draw your own hands. If you can draw your own hands you can do anything.' She did, and she could. Her informal portraits of friends, some well-known, some unknown, never flatter except in telling the truth. She did justice to every model, and her sense of setting, the economy of her perspectives, her ability to create presence, continue to amaze the viewer. Even the most seemingly casual sketch, closely observed, reconstitutes an original, sculptural space about it. The lessons Michael Ayrton taught ensured that she is always at least a three-dimensional artist.
Most of the drawings are from her notebooks and sketchbooks, and Frederic Raphael draws from over twenty-five years of work, primarily pencil sketches. As William Boyd has written, 'you can tell how good they are, yourself'. She has her own, unarguable authority.
Rezensionen / Stimmen
Selected by George Greig, editor of Tatler as his Book of the Year, 2004, in the Observer
As a perfect stocking filler, Sarah Raphael: Drawings, with essays by Frederic Raphael, Clive James and William Boyd is a moving tale of a huge talent cut short by early death.
Sprache
Verlagsort
Verlagsgruppe
Zielgruppe
Für höhere Schule und Studium
Produkt-Hinweis
Broschur/Paperback
Fadenheftung
Maße
Höhe: 211 mm
Breite: 213 mm
Dicke: 10 mm
Gewicht
ISBN-13
978-1-85754-662-0 (9781857546620)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
SARAH RAPHAEL was born in East Bergholt, Suffolk in 1960. She graduated (with first class honours) from Camberwell School of Art in 1981. Her work was widely exhibited with great success; first in group, and then in solo shows at the Christopher Hull Gallery, Agnew's and finally at Marlborough Fine Art. Her paintings have been sold to a number of public collections, including the Metropolitan Museum of Art, New York; the Fitzwilliam Museum, Cambridge; the National Portrait Gallery and the Museum of Childhood, London.
In 1993 she won the inaugural Villiers David Prize, which enabled her to spend time working in the Australian desert. In 1996 she was the winner of the NatWest Painting Prize. She lived in London with her three daughters, Natasha, Anna and Rebecca. Sarah Raphael died in January 2001. Frederic Raphael was born in Chicago in 1931 and educated at Charterhouse and St John's College, Cambridge. His novels include The Glittering Prizes (1976), A Double Life (1993), Coast to Coast (1998) and Fame and Fortune (2007); he has also written short stories and biographies of Somerset Maugham and Byron. Frederic Raphael is a leading screenwriter, whose work includes the Academy Award-winning Darling (1965), Two for the Road (1967), Far from the Madding Crowd (1967), and the screenplay for Stanley Kubrick's last film, Eyes Wide Shut (1999). The first volume of Personal Terms was published by Carcanet in 2001, with subsequent volumes in 2004, 2006, 2008, 2011 and 2013. The Times Literary Supplement said, 'Aphoristic, lapidary and sumptuously reflective by turns, Personal Terms is a joy to read both for Raphael's prose and mental powers. It is a work of iridescent intelligence, seductive charm, urbane temper and unflagging delight...'
