Never has there been such an exciting time to be a music teacher. Band, choir, and orchestra are ubiquitous in schools and have come to be known as the primary mode that students experience music at the secondary level. Similarly, elementary school classrooms feature approaches by Orff, Kodaly, Dalcroze, and Music Learning Theory, among a host of others.
But, what is next? In this enlightening guide, author Clint A. Randles provides music educators with the practical tools to turn their classrooms into student production studios. Addressing everything from a new conceptualization of the physical classroom space to the cables and other audio equipment no music educator should be without, Randles puts creativity, technology, recording arts, songwriting, music production, and live performance at the center of music classrooms.
Sprache
Verlagsort
Zielgruppe
Illustrationen
80 line illustrations, 40 b&w halftones
Maße
Höhe: 178 mm
Breite: 254 mm
Dicke: 20 mm
Gewicht
ISBN-13
978-0-19-751945-5 (9780197519455)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Clint Randles is Associate Professor of Music Education at the University of South Florida, where he teaches courses at the intersection of contemporary musicianship, creativity, philosophy, and popular music. His work centers on the development of innovative curricular practice. He enjoys performing guitar and singing as a part of his role as Director of Contemporary Worship at a church in Tampa.
Autor*in
Associate Professor of Music Education,Associate Professor of Music Education,, University of South Florida School of Music
Chapter 1. Introduction: A Different Kind of Music Classroom, A Different Kind of Teacher
Chapter 2. The Room(s): Where the Magic Happens
Chapter 3. How Technology Can Help You
Chapter 4. Instruments: Tools for Creative Expression
Chapter 5. Setting the Stage for Success: Literally and Figuratively
Chapter 6. Gear Considerations & Acoustics
Chapter 7. Diversifying Performance
Chapter 8. Classroom as Recording Studio
Chapter 9. Making Technology Work for You
Chapter 10. A Whole New World of Musical Products
Chapter 11. The End is the Beginning
Index
Bibliography