This book offers a comprehensive Possible Worlds framework with which to analyse counterfactual historical fiction. Counterfactual historical fiction is a literary genre that comprises narratives set in worlds whose histories run contrary to the history of our world, usually speculating on what would have happened had a significant historical event (such as a war) turned out differently. The author develops a systematic critical approach based on a customised model of Possible Worlds Theory supplemented by cognitive concepts that account for the different processes that readers go through when they read counterfactual historical fiction, a genre which relies heavily on pre-existing knowledge about history and culture. This book will be of interest to anyone working with Possible Worlds, including within the fields of philosophy, literary studies, stylistics, cognitive poetics, and narratology.
Rezensionen / Stimmen
"Raghunath's book should be of interest both to scholars of this particular genre and to theoreticians tracing continuities between multiple genres. . Possible Worlds Theory and Counterfactual Historical Fiction is a valuable update of Possible Worlds Theory, one which can potentially lead to useful literary analyses dealing with a much wider spectrum of fictional works - opening up the field of fictional semantics to the challenges of narrating alternative versions of the past and the future." (Alexander Popov, Fantastika Journal, Vol. 6 (1), February, 2022)
Auflage
Sprache
Verlagsort
Verlagsgruppe
Springer International Publishing
Zielgruppe
Illustrationen
8
20 s/w Abbildungen, 8 farbige Abbildungen
XV, 224 p. 28 illus., 8 illus. in color.
Maße
Höhe: 210 mm
Breite: 148 mm
Dicke: 14 mm
Gewicht
ISBN-13
978-3-030-53454-7 (9783030534547)
DOI
10.1007/978-3-030-53452-3
Schweitzer Klassifikation
Riyukta Raghunath is a Lecturer in the English department at New College of the Humanities, UK.
Chapter 1. Introduction: The Genre of Counterfactual Historical Fiction.- Chapter 2: Possible Worlds Theory: History, Approaches, and its Relevance to Counterfactual Historical Fiction.- Chapter 3: New Additions to Possible Worlds Theory: Reader Knowledge Worlds, Ontological Superimposition, and Reciprocal Feedback.- Chapter 4: Redefining Counterpart Theory and Transworld Identity.- Chapter 5: The Complex and Mixed Ontology of Fatherland.- Chapter 6: The Dystopian Counterfactual World and Unreliable Narration in The Sound of his Horn.- Chapter 7: Multiple Textual Actual Worlds and Contradictions in Making History.- Chapter 8: Conclusion and Future Recommendations.
