Thirty years of photographs of murals of the Virgin of Guadalupe on the walls of Los Angeles, a potent symbol of the city’s unique cultural heritage.
On storefronts, alleyways, and street corners across the city, murals of the Virgin of Guadalupe grace the walls of Los Angeles in a tapestry of faith, identity, and culture. Our Lady of the Angels: The Virgin of Guadalupe on the Walls of Los Angeles captures the sacred and everyday presence of Guadalupe murals across the city, offering a poignant lens into the cultural heartbeat of LA neighborhoods. Each image is a testament to community, artistry, and devotion—a visual pilgrimage through urban altars where spirituality meets street art. Whether you're drawn to religious iconography, Latino culture, or the layered stories of LA itself, this collection invites you to see the city anew—through lens of its most beloved saint.
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978-1-62640-040-5 (9781626400405)
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Schweitzer Klassifikation
Sam Quinones is a journalist, former LA Times reporter, author and storyteller. A reporter for almost 30 years, Quinones lived and worked as a freelance writer in Mexico from 1994 to 2004. He spent time with gang members and governors, taco vendors and Los Tigres del Norte. He wrote about soap operas, and he lived briefly in a drug-rehabilitation clinic in Zamora, while hanging out with a street gang. His previous two acclaimed books of narrative nonfiction about Mexico and Mexican immigration made him, according to the SF Chronicle Book Review, "the most original writer on Mexico and the border." His first book, True Tales From Another Mexico: The Lynch Mob, the Popsicle Kings, Chalino and the Bronx (Univ. of New Mexico Press, 2001) is a collection of nonfiction stories about contemporary Mexico. His second, Antonio's Gun and Delfino's Dream: True Tales of Mexican Migration (UNM Press, 2007) was called "genuinely original work, what great fiction and nonfiction aspire to be, these are the stories that stop time and remind us how great reading is." (S.F. Chronicle). In 1998, he received an Alicia Patterson Fellowship, and Columbia University's Maria Moors Cabot Prize in 2008, for a career of excellence in reporting about Latin America.
