Coal is the commodity that powered the technologies that made the modern world. It also brought about unique communities marked by a high degree of social solidarity and self-help. Mining was central to working class life, drawing rural populations into industrial labour, but it often took place in picturesque landscapes, so that its black spoil heaps became a central symbol of the degradation of pastoral life by the demands of an extractive industry. Throughout Europe and the USA photographers have pictured the characteristic landscapes of the industry, and continue to do so as strip mining devastates huge areas of land. Not only landscape photography but also documentary, portraiture, photojournalism and art photography have been used in order to portray mines and miners. This book presents three interlinked strands of investigation. The first is the way in which the production of coal created paradigmatic communities grounded in particular landscapes. The second concerns the role of photography in exploring, delineating and critiquing mining communities. This in turn involves an examination of the aesthetic and social characteristics of a number of genres of photography. Lastly, it considers the growth and decline of these sites, the geographic shift of the industry to other places, and the re-presentation of traditional localities through the lens of the heritage industry and industrial tourism.
Rezensionen / Stimmen
"Coal Cultures is ambitious in its scope, interesting in its detail and very enjoyable to read. Derrick Price brings his formidable scholarship to explore the sophisticated dynamics of the cultures in and around that seemingly most basic of all commodities, coal. To do so within a complex global context is impressive."
--National Museum Wales - Paul Cabuts, Honorary Research Fellow at Amguedffa Cymru
"In Coal Cultures, Derrick Price tracks the long history of visual culture around coal production, livelihoods and impacts, starting with 16th century woodprints of mining technology. ... This is a comprehensive survey of visual approaches to finding meaning in coal landscapes and lifestyles: from othering to humanising its people, and from seeing ruin to order in its landscapes. ... Price digs nicely into gender issues here, including photos of women miners and the exploring the persistence of sexualisation and sexism they faced."
--Visual Studies
"Coal Cultures offers a valuable overview of the intersections between mining and visual culture, illustrating how our understanding of the industry and its impact has been shaped by its depiction. In going beyond the work ofmining itself to explore the communities and landscapes shaped by that labour, Price demonstrates that photography and visual culture can be useful means to establish how labour, society and the environment are interlinked. The book assembles a considerable range of material that will appeal to those with interests in both mining and visual culture, as well as their relationship to heritage and the environment."
--History of Photography
"Price has most definitely succeeded in providing a fascinating and highly stimulating cultural-history analysis of the various representations (both photographic/visual and metaphorical) of the coal industry, its environmental legacy, coalfield communities, and its industrial heritage. It deserves to be widely read."
--History Workshop Journal
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Sprache
Verlagsort
Verlagsgruppe
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 12 mm
Gewicht
ISBN-13
978-0-367-71646-2 (9780367716462)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Derrick Price is a freelance writer and independent scholar who has published widely on photography and film. He currently Chairs the Board of Ffotogallery, the photography agency of Wales.
Table of ContentsList of IllustrationsIntroduction 1. Degradation and regeneration2. Images of miners3. Mining communities4. Fog, smog and pollution5. Strikes and conflict6. The new landscape of coal7. Heritage, memory and nostalgia ConclusionIndex
