How did Lin-Manuel Miranda become the preeminent musical storyteller of the 21st century?
Daniel Pollack-Pelzner traces Miranda's path from a friendly but often isolated child to the winner of multiple Tonys and Grammys for his Broadway hits Hamilton and In the Heights and his songs in Disney's Moana and Encanto.
Drawing on interviews with Miranda's family, friends and mentors - and many conversations with Miranda himself - Pollack-Pelzner delves into the formative experiences that shaped Miranda as an artist, from his early musicals in high school and college to the creation of his Broadway and Hollywood triumphs. With full access to Miranda's inner circle, this behind-the-scenes origin story is both captivating and inspiring.
Rezensionen / Stimmen
This insightful biography of the most life-enhancing musical theatre figure of his generation is essential reading, and not just for theatre nuts. I couldn't put it down -- Andrew Lloyd Webber A must read for any aspiring artist - and for anyone interested in creativity, collaboration and the making of masterpieces like Hamilton -- James Shapiro, author of 1599: A YEAR IN THE LIFE OF WILLIAM SHAKESPEARE Genius is not a word I use lightly or frequently, but it is the only way I can describe Lin-Manuel Miranda. His combination of creativity and craft is astonishing, and this book, which gives fascinating insights into how he got there, is invaluable to anyone who cares about the art of musical theatre -- Stephen Schwartz, composer of WICKED Pollack-Pelzner pulls back the curtain on one of the great, exuberant creative minds of our time. Lin-Manuel's work has expanded our national spirit; his collaborative and creative processes - revealed in captivating close-up here - will blow you away -- Quiara Alegria Hudes, co-writer of IN THE HEIGHTS The life lessons here demystify more than how to make a masterpiece; they teach us how to live. May the origin story of all our heroes be told in this way! -- Renee Elise Goldsberry I witnessed Lin-Manuel's brilliance performing opposite him in Hamilton every night, and I always wondered where his genius came from. This book reveals his fascinating origin story. It's more than a gripping biography; it's a creative handbook for anyone who wants to innovate, to collaborate, to synthesize their influences into something new -- Leslie Odom, Jr. I would hear about this little boy who displayed immense passion and curiosity about our animated musicals, along with every other interesting and creative thing that crossed his path. And decades later, I watched him become the unstoppable force behind a new generation of classics as a composer, lyricist, actor, director and producer; and as one of our most brilliant and important artistic voices. It's a pleasure to see Lin's journey reflected in this deeply researched book -- Alan Menken Everyone knows Lin-Manuel Miranda the icon. This book introduces you to Lin the kid, the collaborator, the relentless tinkerer who never stopped learning. It's a reminder that great art doesn't come fully formed. It's messy. It's joyful. It's made in basements and buses and borrowed pianos. If you've ever been inspired by his work, you owe it to yourself to read the story behind it. This is the mixtape of how it all began. -- Jon M. Chu An enthralling portrait of an artist whose genius has captivated the world * Kirkus Reviews * An insightful look into Miranda's complex, magpie mind and phenomenal success * Booklist (starred review) * A comprehensive and heartfelt look at one of the most talented and visionary minds of this generation and a reminder of how one person's voice, when nurtured, can genuinely change the world * Library Journal (starred review) *
Sprache
Verlagsort
Maße
Höhe: 234 mm
Breite: 156 mm
ISBN-13
978-1-80546-522-5 (9781805465225)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Daniel Pollack-Pelzner writes about theatre and contemporary culture for the New Yorker, the Atlantic and the New York Times. Born and raised in Oregon, he teaches theatre history at Portland State University and is the scholar-in-residence at the Portland Shakespeare Project. He lives in Portland with his wife, whom he met in a fifth-grade production of A Midsummer Night's Dream, and their two children.
1: The Top of the World 2: Brick Prison 3: Dream Show 4: La Casa 5: Basket Case 6: The Drama Book Shop 7: Voltron 8: The O'Neill 9: Off Broadway 10: Broadway 11: The White House 12: Working 13: Bring It On 14: American Songbook 15: Non-Stop 16: The Room Where It Happens 17: The Public Theater 18: Opening Nights 19: Say Goodbye 20: Film School 21: Tick, Tick 22: Boom