The fundamental artistic tenets of postmodernism have been with us since the 1980s. These ideals are no longer intellectual propositions so much as they are an integral part of our present day concert art found in the underground, pop culture and the academy.
This Manifesto is an invitation to seek a more malleable and expressive interpretive art. Understanding that one can no longer help but engage with these principles, the author opens fresh perspectives that point to a dynamic and ongoing conversation in today's concert hall.
Reihe
Sprache
Verlagsort
Editions-Typ
Produkt-Hinweis
Illustrationen
Maße
Höhe: 21 cm
Breite: 14.7 cm
Gewicht
ISBN-13
978-3-924272-13-5 (9783924272135)
Schweitzer Klassifikation
Autor*in
Musiker
Concert and recording artist, historian, teacher, composer, Joseph Petric's postmodern approaches to the concert accordion have drawn return engagements to Asia, Europe, Scandanavia, United Kingdom, the former Soviet bloc, North America and the Middle East. He has appeared as soloist at major venues such as Seiji Ozawa Hall, BBC Radio3, Washington's Kennedy Center, the Berlin Philharmonic, and international festivals London Southbank, IRCAM Agora, Hohenems Schubertiade, and Berlin Philharmonic Chamber Festival with media acclaim in the London Independent, Washington Post, New York Times, and Berliner Tage. His legendary collaborations with composers have attracted the generous financial support of the Koussevitsky Foundation, Swedish Reikskonzerter, the Laidlaw Foundation, Canada Council for the Arts, and the Canadian Broadcasting Corporation inter alia resulting in more than 350 commissions (among them 20 concertos), a discography of 40 titles, and musicological and artistic-philosophic publications. He remains the only concert accordionist since 1980 devoted solely to commissioning and concertizing. For complete details visit www.josephpetric.com and Joseph Petric Wikipedia.
Herausgeber*in
Verleger
Romanist
