THE TIMES AND WATERSTONES BEST ART BOOK OF 2023
'Intimate and insightful . . . reads like a novel by Samuel Beckett' Paul Theroux
A portrait of one of the twentieth century's greatest sculptors from one of our most eminent art historians
Today the work of Alberto Giacometti is world-famous and his sculptures sell for record-breaking prices. But from his early days as an unknown outsider to the end of a dramatic international career, Giacometti lived in the same hovel of a studio in Paris. It was Paris that made him, and he in turn immortalised the city through his art.
Arriving in Paris from the Swiss Alps in 1922, Giacometti was shaped not only by his relationships with remarkable artists and writers - from Picasso, Breton and Dali to Sartre, Beauvoir and Beckett - but by the everyday life, pre-war and post-war, of Paris itself. His distinctive figures emerged from the city's unique atmosphere: the crumbling grey stone of its humbler streets and the cafe-terraces buzzing with radical ideas and racy gossip.
In Giacometti in Paris, Michael Peppiatt, who spent thirty years documenting the Parisian art world and mixing with many of the people Giacometti knew, brilliantly charts the course of the artist's life and work. From falling in and out with the Surrealists to years of artistic anguish, from devotion to his mother to intense friendships, tragic love affairs and a fraught marriage, this is an intimate portrait of an outstanding artist in exceptional times.
Rezensionen / Stimmen
Giacometti's beanpole people became icons of 20th-century art and Michael Peppiatt's compelling portrait cuts to the core of the sculptor's "strange life and his stranger fame" . . . Appalling and fascinating. You'll never look at a Giacometti the same way -- Laura Freeman * The Times: 12 Best Art Books of 2023 * This is a marvellous book, an intimate and insightful account of the life and work of the uncompromising Giacometti - perverse in every sense and an artistic genius. It reads like a novel, indeed a novel by Samuel Beckett, who happened to be one of his friends and a man he much resembled -- Paul Theroux This book is not only a wonderful portrait of Giacometti, but also of many of his friends and associates. Peppiatt is at home in the whole Paris cultural scene and hops merrily from La Coupole to Les Deux Magots to Cafe Flore, picking up fascinating details along the way -- Lynn Barber * Spectator * A beautiful book . . . I discovered so much more about that amazing man -- Stanley Tucci This book is an elegy for two missed things: an artist feted as a genius and the city he chose to live in . . . Giacometti in Paris is rich in anecdotage * Literary Review * An elegant, authoritative biography - Peppiatt knows his artistic onions, to be sure * Telegraph * We are given Giacometti's world in all its fascinating detail and humanity, the inhospitable and improbable studio that became iconic, installation art, before the term was invented, the friendships, relationships that were navigated and were influential, the moments of satori in a Paris cinema and the times of doubt and recalibration. It's all here in memorable and readable form like privileged, intelligent conversation. Michael Peppiatt's achievement is to never lose sight of the man in confronting the titanic artist that Giacometti was -- Hughie O'Donoghue Peppiatt's telling of Giacometti's story is insightful and sprightly . . . Paris in the annees folles is atmospherically rendered, the scene-painting lively and louche -- Laura Freeman, Chief Art Critic * The Times * Personal and appealingly painterly, this is an immensely readable biography of the man and the city -- Hephzibah Anderson * Observer * [A] vibrant, new account . . . This is a book composed with love, a deep, affectionate admiration for its remarkable if elusive subject. Mr Peppiatt also writes with considerable authority' -- Country Life Informative, affective, and vibrant . . . Giacometti in Paris is, then, a book as much about the triumphs and the dangers of obsession as anything else * Arts Desk * A stunning tour de force. I'm completely entranced, fascinated and riveted to the page . . . A masterpiece -- John Gordon, CEO and Founder of How To Academy Michael Peppiatt's biography reflects Giacometti's uncanny ability to capture the energy of ancient art in a modern format . . . the reader is in good hands * Hyperallergic *
Sprache
Verlagsort
Maße
Höhe: 196 mm
Breite: 125 mm
Dicke: 27 mm
Gewicht
ISBN-13
978-1-5266-0099-8 (9781526600998)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Michael Peppiatt has been writing about art and artists since 1964, when he began reviewing exhibitions for the Observer while still a student. He left London for a job as arts editor at Realites then Le Monde in Paris, where he lived at the heart of the art and literary world for the following thirty years, becoming cultural correspondent for the New York Times and, in 1985, owner and publisher of Art International. Peppiatt is the author of a dozen books, including Francis Bacon: Anatomy of an Enigma, In Giacometti's Studio and the acclaimed memoir Francis Bacon in Your Blood.
