Love and Despair explores the multiple and mostly unknown ways progressive and conservative Catholic actors, such as priests, lay activists, journalists, intellectuals, and filmmakers, responded to the significant social and cultural shifts that formed competing notions of modernity in Cold War Mexico. Jaime M. Pensado demonstrates how the Catholic Church as a heterogeneous institution-with key transnational networks in Latin America and Western Europe-was invested in youth activism, state repression, and the counterculture from the postwar period to the more radical Sixties. Similar to their secular counterparts, progressive Catholics often saw themselves as revolutionary actors and nearly always framed their activism as an act of love. When their movements were repressed and their ideas were co-opted, marginalized, and commercialized at the end of the Sixties, the liberating hope of love often turned into a sense of despair.
Rezensionen / Stimmen
"This is one of the most original works of scholarship about Mexican political history for a generation, and fills a large gap in knowledge about the growing pains of modernity in a country where the confrontation between restless youth and an oppressive regime was bloody and unforgiving. . . This book is a tour de force-or perhaps we should say, a labour of love-and the author has made an important contribution to the history of an insurgent period that is both misunderstood and sidelined." * Latin American Review of Books * "[R]equired reading for scholars and graduate students of midcentury Mexico and Mexican political, religious, and media history. Scholars of any regional focus with an interest in Catholicism, the global sixties, culture during the Cold War, youth culture, and cinema should also add this book to their reading list." * Hispanic American Historical Review * "The historian Jaime Pensado offers an ambitious work and sources on Mexican Catholics in the 1940s-1970s... Love and Despair will undoubtedly become an essential reference for the religious and political history of Mexico." * Cahiers des Ameriques latines * "The book is certainly a welcome addition to the literature, not only to the political, social, and cultural history of modern Mexico, but to Cold War and Catholic Mexico as well." * A Contracorriente * "Pensado does path-breaking work to reveal why and how Catholics of all ideological stripes became a formidable opposition to Mexico's PRI dictatorship-both important questions to explore as Mexico's democratic transition (2000-present) comes under greater scrutiny." * The Journal of Social History * "An indispensable study of the Cold War in Latin America, for Pensado treats Catholicism (and religion, more generally) seriously, not simply as a reactionary or declining force." * Journal of Latin American Studies * "Pensado offers an innovative cultural history of Mexico's long 1960s (1956-1976) through a religious lens. Each of his nine chapters places Catholic individuals like Marroquin at the center of his narrative. Together, these figures amount to a collective biography of Catholicism's multiple responses-rejection, acceptance, tolerance, participation-to a world and a country undergoing profound cultural, political, and social change." * NACLA * "Pensado narrates Mexico's October 2, 1968 protest and government repression from a unique vantage point: the inside of a church. . . .In narrating this iconic moment from the interior of a church, Pensado underscores the centrality of the Catholic Church, its cultural, intellectual, and political traditions, to twentieth-century Mexico. . . .[A] deep history of a crucial but understudied element of modern Mexico." * Pacific Historical Review * "Pensado has written a book that presents a unique perspective because he was able to locate films that were long censored in Mexico, and other documents that were not widely distributed. This book deserves a place in university libraries, particularly those with a focus on Latin American religion and politics." * Catholic Library World * "In a thoughtful exploration of Catholic participants in Cold-War-era Mexican politics and counterculture, Jaime Pensado lays bare many historiographic misconceptions. Rejecting notions of a religious worldview marked by its homogeneity, institutional rigidity, and reactionary politics, Pensado instead persuasively demonstrates the dynamic roles of Catholic thinkers. Using comprehensive evidence, he offers a vision of a sophisticated countercultural moment." * The Americas * "An essential dark-side-of-the-moon history that should be read by anyone wanting a sophisticated cultural and political take on 1960s Mexico, Catholic youth, and the input of Catholics into Mexico's counterculture(s). Readers are guaranteed to put it down with more feelings of love." * American Historical Review *
Auflage
Sprache
Verlagsort
Zielgruppe
Produkt-Hinweis
Illustrationen
13 b-w illustrations, 3 tables
Maße
Höhe: 229 mm
Breite: 152 mm
Dicke: 28 mm
Gewicht
ISBN-13
978-0-520-39295-3 (9780520392953)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Jaime M. Pensado is Associate Professor of History at the University of Notre Dame. He is the author of Rebel Mexico: Student Unrest and Authoritarian Political Culture During the Long Sixties and coeditor of Mexico Beyond 1968: Revolutionaries, Radicals, and Repression During the Global Sixties and Subversive Seventies.
Contents
List of Illustrations
List of Abbreviations
Acknowledgments
Introduction
PART ONE
MODERNITY AND YOUTH
1 * Beauty, Cinema, and Female Youth Rebellion
2 * Student Activism during the Cold War
PART TWO
STATE VIOLENCE, PROGRESSIVE CATHOLICISM, AND RADICALIZATION
3 * Combative Journalism and Divisions within the Church
4 * Responses to the Tlatelolco and Corpus Christi Massacres
5 * The Thorny Questions of Armed Struggle and Socialism
PART THREE Part
THE COUNTERCULTURE, LIBERATION, AND THE ARTS
6 * La Onda as Liberation and the Making of La contracultura como protesta
7 * Dialogue as Love and Countercultural Cinema at UNAM
8 * Sexual Liberation and the Redemption of Homosexuality
9 * Competing Interpretations of Los Cristeros and Violent Reactions to the Counterculture
Conclusion
Appendix 1. Cinematic Representations of Youth Rebellion (1941-ca. 1964)
Appendix 2. Cinematic Representations of Youth, Liberation,the Counterculture, and Progressive
Catholicism (ca. 1961-ca. 1978)
Notes
Bibliography
Index