In the early to mid-twentieth century, the vast majority of printed photographs appeared in the pages of illustrated magazines. Publications such as Life, China Pictorial, Drum, Picture Post, and Ebony did more than showcase photographs; they crafted visual narratives by combining images, text, and graphics into influential cultural artifacts. These periodicals shaped public perception and mass media consensus like the Internet does today, bringing a shared visual experience to homes and newsstands around the world.
The essays in this volume delve into the technologies and visual strategies behind these publications, showing how their layouts were affected by political, commercial, editorial, and artistic factors leading up to World War II. The commentaries also explore how democracy, dictatorships, colonization, and modernity at large gave rise to experimental magazine designs, turning avant-garde art and lifestyle reporting into popular formats. Featuring over 150 images, Print Matters traces how illustrated magazines evolved across countries and continents, offering new insights into their history and enduring impact on culture and society.
Rezensionen / Stimmen
As the editor of VU once declared, photography was invented twice:
first by Daguerre and Niepce and then, a century later, by the illustrated
magazine. This wonderful volume investigates this second invention in
fascinating detail, offering a global perspective on the development of a
multilayered, multimedia vehicle in which the photographic image is combined
with text and graphics to both celebrate and mediate the everyday experience of
modernity. Featuring essays by a panoply of stellar scholars, this is a book
that everyone must have on their shelf.
- Geoffrey Batchen, Professor of History of Art, University of
Oxford
Print Matters is a brilliant collection of essays exploring how the
illustrated magazine in the twentieth century became one of the key media for
shaping the everyday experience of modernity for citizens around the world. The
essays in this wonderfully illustrated volume demonstrate with panache how the
amalgamation of photography, text, and graphic design in the many magazines
that appeared in the last century both reflected and formed global forms of
modernity. With essays skilfully analysing magazines from Europe and the United
States to China, Vietnam, and South Africa, this is an essential volume for all
those interested in modern print culture.
- Professor Andrew Thacker, Department of English, Nottingham
Trent University
Reihe
Sprache
Verlagsort
Verlagsgruppe
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
Maße
Höhe: 254 mm
Breite: 178 mm
Gewicht
ISBN-13
979-8-88712-000-3 (9798887120003)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
Maria Antonella Pelizzari is a professor of the history of photography in the Department of Art and Art History at Hunter College and the Graduate Center, the City University of New York.
Andres Mario Zervigon is a professor of the history of photography in the Department of Art History at Rutgers, the State University of New Jersey.