ReFocus: The Literary Films of Richard Brooks highlights the accomplishments of one of postwar America's most important and successful directors, with an emphasis on the "literary" aspects of his career, including his work as a screenwriter and adaptor of such modern classics as Cat on a Hot Tin Roof , Lord Jim, and The Brothers Karamazov.
Rezensionen / Stimmen
In this volume, the rich and varied career of 'literary director' Richard Brooks finally receives its well-deserved re-evaluation. The fine set of essays commissioned by Palmer and Pettey describes Brooks as a writer-filmmaker equally committed to the respectful adaptation of literary fiction as he was to a socially concerned cinema. -- Constantine Verevis, Monash University A comprehensive and telling treatment of an often overlooked director, ReFocus: The Literary Films of Richard Brooks includes incisive and elegantly written essays from major film scholars that appreciate a genial director and his oeuvre. -- Tom Conley, Harvard University In this edited collection, scholars working in film and cultural studies give Brooks his critical due as a filmmaker of literary fiction. The essays contain a panoply of perspectives that engage and otherwise challenge, in the words of the series's mission, "American culture-its myths, values, and historical precepts." -- Tiffany Gilbert * Tennessee Williams Annual Review *
Reihe
Sprache
Verlagsort
Produkt-Hinweis
Broschur/Paperback
Klebebindung
Illustrationen
33 black and white illustrations
Maße
Höhe: 234 mm
Breite: 156 mm
Dicke: 16 mm
Gewicht
ISBN-13
978-1-4744-9658-2 (9781474496582)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
R. Barton Palmer is Calhoun Lemon Professor of Literature Emeritus at Clemson University. He is the author, editor, or general editor of many books including Hollywood's Dark Cinema: The American Film Noir (1994), After Hitchcock: Influence, Imitation, and Intertextuality (2006), and A Little Solitaire: John Frankenheimer and American Film (2011). He is the series editor for EUP's traditions in World Cinema, Traditions in American Cinema and International Film Stars series, and he is co-editor of five recent EUP books: Michael Mann, George Cukor, Film Noir, International Noir and The Other Hollywood Renaissance. Homer B. Pettey is Professor Emeritus of Film and Comparative Literature at the University of Arizona. He serves as the founding and general editor for Global Film Directors (Rutgers U.P.), Global Film Studios (Edinburgh U.P.), and International Stars (Edinburgh U.P.).
Herausgeber*in
Calhoun Lemon Professor of LiteratureClemson University
Professor Emeritus of Film and Comparative LiteratureUniversity of Arizona
AcknowledgementsIllustrationsNotes on Contributors
1. Introduction - R. Barton Palmer and Homer B. Pettey
2. The Brick Foxhole (1945): Richard Brooks's American Vision - Matthew H. Bernstein
3. The Muted Voices of Conscience and Responsibility in Crisis (1950) - Alan Woolfolk
4. Deadline U.S.A. (1952): A Fox Film of Fact - R. Barton Palmer
5. "Man Against the Times": Conformity, Anti-Statism and the 'Unknown' Korean War in Battle Circus (1953) - Ian Scott
6. Captured Interiors: Female Performances in The Last Time I Saw Paris (1954) and The Happy Ending (1969) - Daniel Varndell
7. Blackboard Jungle (1955): A Cinematic Education - Steven Rybin
8. Hunting and the Economics of Adaptation: The Last Hunt (1956) and The Professionals (1966) - Homer B. Pettey
9. The Curse of Money: Negotiating Marriage in A Catered Affair (1956) - Elisabeth Bronfen
10. Adapting Modernism: Richard Brooks and The Brothers Karamazov (1958) - Douglas McFarland
11. Haunted: Cat on a Hot Tin Roof (1958) - David Sterritt
12. A Bite of Salvation - Murray Pomerance
13. "Monstrous Cinemascope": Richard Brooks Adapts Sweet Bird of Youth (1962) - William H. Epstein
14. Adapting the Unadaptables: Lord Jim (1965) - Thomas Leitch
15. Adaptation as Mutation: In Cold Blood (1967) - Jennifer L. Jenkins
16. Looking for Mr. Good Guy: Anatomizing 70s Fracture and Fragmentation - Julie Grossman
17. Failing to Locate Wrong is Right (1982) and What that Reveals about Cinematic Reality - Allen H. Redmon
BiblioographyIndex
