The Films of Joseph Losey examines the career of the expatriot director through a close analysis of five of his most important and challenging films. When his leftist politics made him a target of the House Committee on Unamerican Activities in 1951, the blacklisted Losey left America and continued his film career in England. Concerned mainly with the use and abuse of power inherent in intimate relationships, Losey also examined these issues as manifested in institutions and social classes. The book also examines Losey's close working relationships with playwright/screenwriter Harold Pinter and actor Dirk Bogarde, his experimental form of storytelling, the psychological complexity of characters acting as narrator of their own stories, and the intricate handling of time in the structure of his films. Close studies of King and Country, The Servant, Accident, The Go-Between, and The Romantic Englishwoman confirm Losey's stature as a director of powerful and compelling films of both moral importance and great formal complexity.
Rezensionen / Stimmen
"...one of the better books in the Cambridge Film Classics series...." Philip French, Times Literary Supplement
Reihe
Sprache
Verlagsort
Zielgruppe
Für höhere Schule und Studium
Für Beruf und Forschung
Illustrationen
42 Halftones, unspecified
Maße
Höhe: 235 mm
Breite: 157 mm
Dicke: 15 mm
Gewicht
ISBN-13
978-0-521-38386-8 (9780521383868)
Copyright in bibliographic data and cover images is held by Nielsen Book Services Limited or by the publishers or by their respective licensors: all rights reserved.
Schweitzer Klassifikation
This is the transcript of a manuscript typed by my father James (Jim) Palmer, telling his story from his early years in one of the less salubrious areas of Manchester up to the cessation of World War II hostilities in 1946. My father never spoke of these times during his life, but his written words provide a vivid and very personal insight into his life between 1918 and 1946. Dad never fully recovered from the traumas of his youth that could so easily have coloured his outlook on life and the people around him but, I am glad to say, he still managed to live his life based on the principles of honesty, kindness and high morality. As a result of this, in 1977, he was awarded the Queen Elizabeth II Silver Jubilee medal in recognition of his work in obtaining employment for the disabled at the then Ministry of Labour. He died in 1996 after a lengthy illness and is sorely missed by all who knew him. I hope this account will provide his grandchildren and future generations of the Palmer family with a valuable insight of the sacrifices made by my father's generation, so that we may enjoy our lives of freedom and choice. I am only sorry that I didn't know what my father had endured and that I had no opportunity to say, "I'm proud of you, Dad". I have added a few explanatory footnotes, but apart from these, hereon in all the words come from my father. Graham Palmer, 2015
1. Pictures of provocation; 2. What beauty is there, what anguish: King and Country; 3. An extension of reality: The Servant; 4. The inner violence: Accident; 5. The annihilation of time: The Go-Between; 6. The arrival of strangers: The Romantic Englishwoman; 7. No ready-made answers; Notes; Filmography.
